BEGIN:VCALENDAR VERSION:2.0 PRODID:-//ROSSETTI arte contemporanea - ECPv6.5.1.4//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:ROSSETTI arte contemporanea X-ORIGINAL-URL:https://www.rossettiartecontemporanea.it/en/ X-WR-CALDESC:Events for ROSSETTI arte contemporanea REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:Europe/Rome BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20210328T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20211031T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20220327T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20221030T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20230326T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20231029T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20240331T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20241027T010000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20240411T180000 DTEND;TZID=Europe/Rome:20240411T193000 DTSTAMP:20260429T143944 CREATED:20240316T141631Z LAST-MODIFIED:20240614T165732Z UID:46214-1712858400-1712863800@www.rossettiartecontemporanea.it SUMMARY:Enigma Tiziano by Chiara Montani DESCRIPTION:“Enigma Tiziano” by Chiara Montani – Garzanti Editore\, a historical novel set during World War II that\, through the compelling story of Aida\, eviscerates with deep passion and mastery the genius of the great master Tiziano Vecellio\, known simply as Titian. \n“Aida is a restorer\, and her mission becomes to unearth the painting she senses is hidden beneath the anonymous surface. What she discovers is beyond expectation: never would she have imagined that she was standing before an authentic Tiziano.” \nOn Thursday\, April 11\, writer Chiara Montani will be present at the gallery to talk in person about her book\, which addresses numerous issues\, including the danger to which not only people but also works of art have been subjected. It was possible to organize this event thanks to Enrica Perilio\, curator of museum services\, who will present and conduct the meeting. Special guest of the evening will be art critic and historian Giovanna Rotondi Terminiello\, whose presence will be crucial as she witnessed the brutality of that historical period and\, as an art lover\, will tell us in person her story\, akin to that of the novel’s protagonist. \nWe look forward to seeing you on Thursday\, April 11 at 6 p.m. to talk about the book “Enigma Tiziano” by Chiara Montani and the testimonies of critic and historian Giovanna Rotondi Terminiello. \nChiara Montani \nChiara Montani\, an architect by training\, has worked in the fields of design\, graphics and art\, exploring various techniques and materials\, and participating in exhibitions in Italy and abroad. A specialist in art therapy\, she has been leading workshops on the therapeutic potential of the creative process for years. \nGiovanna Rotondi Terminiello \nAn art historian\, she has been involved in the protection\, conservation\, restoration and enhancement of works of art as an employee of the Ministry of Cultural Heritage and Tourism in which she worked in Genoa\, holding the position of superintendent for the artistic and historical heritage of Liguria from 1967 to 1997. In that capacity she directed restoration campaigns\, organized exhibitions on Genoese artistic civilization in Liguria\, Italy and abroad\, founded and set up museums (such as the National Gallery of Liguria and the Diocesan Museums of Albenga and Chiavari)\, and edited catalogs of exhibitions and proceedings of scientific conferences she promoted.\nSince 1996 she has been president of the jury of the national award “Ark of Art. Rotondi Award to the saviors of art” (legally recognized by the state in 2009). She is the author of numerous publications on medieval and modern art topics\, including the scientific catalog of the art collections of the Cassa di Risparmio di Genova e Imperia. She currently collaborates with the UniAuser People’s University of Genoa. URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/enigma-tiziano-by-chiara-montani/ LOCATION:Genova CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2024/03/EnigmaTiziano_invito_1920x1080.jpeg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20240311T110000 DTEND;TZID=Europe/Rome:20240314T200000 DTSTAMP:20260429T143944 CREATED:20240301T153307Z LAST-MODIFIED:20240614T170133Z UID:45751-1710154800-1710446400@www.rossettiartecontemporanea.it SUMMARY:CLIA International Expo DESCRIPTION:From March 11-14\, 2024\, the Cruise Line International Association (CLIA) will be hosted in Genoa\, Italy\, for a world premiere of its annual meeting and exposition dedicated to the cruise industry. The event\, called CLIA Cruise Week\, will consist of a week of activities including numerous events including the association’s annual European Summit. \nRossetti Arte Contemporanea Gallery\, in collaboration with De Jorio Design architectural firm\, will set up an exhibition within the VIP Lounge Area and VIP Lunch Area. \nNew works by Paolo Ceribelli\, Gianni Lucchesi\, Tom Porta will be exhibited\, and\, for the occasion\, there will be a preview of the new unreleased series “BLUESERIES” by Silvio Porzionato\, to which the gallery will dedicate a special presentation afterwards. With this new cycle the artist unexpectedly carries forward his research on the energy of color that determines the charge of the figures\, culminating in the homage to the majesty of some subjects of the past. \n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/clia-international-expo/ LOCATION:Fiera di Genova – Padiglione Blu\, Via dei Pescatori\, 33\, Genova\, (GE)\, 16128\, Italia CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2024/03/Clia2.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20240307T180000 DTEND;TZID=Europe/Rome:20240407T180000 DTSTAMP:20260429T143944 CREATED:20240228T081049Z LAST-MODIFIED:20240614T170232Z UID:45556-1709834400-1712512800@www.rossettiartecontemporanea.it SUMMARY:Presenze Invisibili. Encounter between Art and Architecture - Exhibition by Andrea Savazzi and Gianni Lucchesi DESCRIPTION:With different interpretations and techniques\, artists Andrea Savazzi and Gianni Lucchesi investigate the attitude of man and his “being” in the world.\nIn Savazzi’s works\, the human figure never appears but is always the protagonist. The artist transposes on canvas imposing structures that have been built\, lived and\, finally\, abandoned. Spaces where nature reclaims what belongs to it\, silent places that talk about the cycle of life\, witnesses to the passage of women\, men and thousands of stories.\nOn the contrary\, in Gianni Lucchesi’s works\, the human figure appears as a starting point to trigger a reflection between man and his inner complexities.\nOn his canvases\, herds of deer contrast with disorderly crowds of people\, showing us a different relationship between their fellow humans and the environment around us. His minimal and rigorous sculptures\, on the other hand\, report small human figures who\, seated or poised\, observe the underlying raw materials representing their interiority and which\, therefore\, are deliberately larger in size and disproportionate to them.\nThe parallel investigation of the two artists addresses equal themes with very different eyes\, inviting us to believe in our perceptions so as not to remain blind to what we do not see\, to notice the silent presences that surround us\, or possess us\, in our daily lives.\n\n\n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/presenze-invisibili-encounter-between-art-and-architecture-exhibition-by-andrea-savazzi-and-gianni-lucchesi/ LOCATION:De Jorio Design Swiss\, Via Silvio Calloni 1/a\, Lugano\, 6900\, Svizzera CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2024/02/evento-Presenze-Invisibili.-Incontro-tra-arte-e-architettura-–-Esposizione-di-Andrea-Savazzi-e-Gianni-Lucchesi-Rossetti-arte-contemporanea.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240216 DTEND;VALUE=DATE:20240219 DTSTAMP:20260429T143944 CREATED:20240129T120652Z LAST-MODIFIED:20240129T120652Z UID:46350-1708041600-1708300799@www.rossettiartecontemporanea.it SUMMARY:ARTEGENOVA 2024 DESCRIPTION:Rossetti Arte Contemporanea will be present at the 18th edition of ArteGenova\, which will take place Feb. 16-18\, 2024 at the Jean Nouvel Pavilion (Blue Pavilion) at the Genoa Fair.\n\nFour days under the banner of culture and art expected every year by operators\, visitors\, investors and collectors from all over Italy but also from abroad. More than 150 galleries will offer all enthusiasts an anthology of world-class works.\n\n\nThe works of all our artists will be on display\, and we look forward to seeing you at booth 61 to show you the latest works.\n\nWe are pleased to give our contacts and collectors free tickets to the Arte Genova fair.\n\n\n\n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/artegenova-2024/ LOCATION:Genova CATEGORIES:Art Fair ATTACH;FMTTYPE=image/png:https://www.rossettiartecontemporanea.it/wp-content/uploads/2024/01/immaggg.png END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20231205 DTEND;VALUE=DATE:20231206 DTSTAMP:20260429T143944 CREATED:20240126T174231Z LAST-MODIFIED:20240126T174231Z UID:46351-1701734400-1701820799@www.rossettiartecontemporanea.it SUMMARY:Opening De Jorio Design Swiss DESCRIPTION:A new office also in Canton Ticino for the international leader in interior design for ships and yachts.\n\nLugano -De Jorio Design International (DJDI) now has a Swiss subsidiary\, De Jorio Design Swiss SA\, and thus an office in Canton Ticino that joins the historic one in Piazza della Vittoria in Genoa\, where the founder\, the late Arch. Giuseppe De Jorio\, had started his prestigious ‘trade’ as a naval architect of reference for the passenger shipping section in 1956.\n\n\nThe prestigious company\, a leader in high-level creative design applied in the naval field\, in nearly 70 years of activity has brought the imprint of Italian style and quality to the seas of the world.\n\nThe collaboration between De Jorio Design and Galleria Studio Rossetti was born on the occasion of the opening of the new studio in Lugano.\nArticle in Italian on Ship2Shore pdf – page 52 – by Gian Luigi Trucco\n\n\n\n  \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/opening-de-jorio-design-swiss/ LOCATION:De Jorio Design Swiss\, Via Silvio Calloni 1/a\, Lugano\, 6900\, Svizzera CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2023/12/blog-Inaugurazione-De-Jorio-Design-Swiss-Galleria-studio-Rossetti-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20231122T183000 DTEND;TZID=Europe/Rome:20231122T183000 DTSTAMP:20260429T143944 CREATED:20240228T081057Z LAST-MODIFIED:20240228T081057Z UID:45683-1700677800-1700677800@www.rossettiartecontemporanea.it SUMMARY:“La donna che salvò la bellezza” by Sara Rattaro DESCRIPTION:A new event organized by the girls of TheMeltinPop\, the literary blog that is passionately devoted to all cultural issues related to society and the local area. \nOn Wednesday\, November 22 at 6:30 p.m.\, in the spaces of our gallery will be presented “La donna che salvò la bellezza” the new book by Sara Rattaro. \nAn intense and exciting novel that tells the story of Fernanda Wittgens\, the first female director of the Pinacoteca di Brera\, who courageously defied Nazi-Fascism and saved not only priceless works\, but also human lives. \nThe founders of the blog\, Antonella Grandicelli and Arianna Destito Maffeo\, will introduce the discussion\, along with Lucia Caponetto\, who will make this meeting even more compelling with her overwhelming live readings.\n\n\n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/la-donna-che-salvo-la-bellezza-by-sara-rattaro/ LOCATION:Genova CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2024/02/la-donna-che-salvo-la-bellezza.jpg ORGANIZER;CN="TheMeltinpop":MAILTO:redazionethemeltinpop@gmail.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20231031T180000 DTEND;TZID=Europe/Rome:20231031T193000 DTSTAMP:20260429T143944 CREATED:20240126T173735Z LAST-MODIFIED:20240426T144046Z UID:46342-1698775200-1698780600@www.rossettiartecontemporanea.it SUMMARY:A dialogue with artist Gianni Lucchesi DESCRIPTION:A very special meeting will take place on Tuesday\, October 31 at 6 p.m. Artist Gianni Lucchesi and curator Alessandra Redaelli will be present at the gallery. \nOn this occasion\, we will have the opportunity to listen to arguments and comparisons regarding all the issues addressed by the artist\, but above all to ask the questions that have intrigued us about his work and his artistic thought. \n“With the irony and elegant essentiality that has always distinguished his stylistic signature\, Lucchesi contrasts the behavior of man and that of the animal\, their opposite reactions and their different relationship to their fellow creatures. The goal is to stimulate critical reflection on the part of the observer regarding the human-environment relationship and the perception of himself with and in the surrounding space. Lucchesi does not give lectures or answers. He points. At most he asks a few questions. But the questions are the kind that burn.” \nWe look forward to seeing you in the gallery! \nWATCH THE VIDEO OF THE EVENT \n \n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/a-dialogue-with-artist-gianni-lucchesi/ LOCATION:Genova CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2024/01/Progetto-senza-titolo.jpg ORGANIZER;CN="Galleria Studio Rossetti":MAILTO:info@rossettiartecontemporanea.it END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20231018T100000 DTEND;TZID=Europe/Rome:20231022T190000 DTSTAMP:20260429T143944 CREATED:20240228T081107Z LAST-MODIFIED:20240228T081107Z UID:45682-1697623200-1698001200@www.rossettiartecontemporanea.it SUMMARY:Genova BookPop Festival 2023 DESCRIPTION:From October 18 to 22\, 2023\, the Genova BookPop Festival will take place in the gallery Rossetti Arte Contemporanea\, an event\, conceived by the blog Themeltinpop with writer Sara Rattaro\, that will host authors\, publishers\, journalists\, creative writing and expressive reading teachers\, with the intention of offering our city\, recognized as Book Capital 2023 by the Ministry of Culture\, an event entirely dedicated to books and readers. \nGenoa BookPop Festival will be a cultural review with a program full of meetings\, debates\, workshops and moments of conviviality. An open space for sharing\, an opportunity to meet\, be together\, get to know each other.\nThe festival will take place in the heart of Genoa\, touching on three fascinating places – the historic center with the Rossetti Arte Contemporanea\, the space of Giardini Luzzati and Palazzo Ducale. The event has been realized in collaboration with CDM Lab\, an association that deals with all-round culture. \nDownload\n\n\n\n  \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/genova-bookpop-festival-2023/ LOCATION:Genova CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2024/02/evento-Genova-BookPop-Festival-2023-Rossetti-arte-contemporanea-1.jpg ORGANIZER;CN="TheMeltinpop":MAILTO:redazionethemeltinpop@gmail.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20231005T210000 DTEND;TZID=Europe/Rome:20231105T200000 DTSTAMP:20260429T143944 CREATED:20231005T113115Z LAST-MODIFIED:20240426T144930Z UID:43987-1696539600-1699214400@www.rossettiartecontemporanea.it SUMMARY:“Houston\, che sfortuna” by Gianni Lucchesi DESCRIPTION:Critical text by Alessandra Redaelli \n\n\n\nGianni Lucchesi’s investigation has always revolved around our feeling and our not (wanting) to feel\, looking in and out ourselves. Ever since he was moving in the realm of lyrical\, emotional abstract. Then something happens in the artist’s life. One of those terrible\, illuminating events that turns perspectives upside down. And suddenly his language becomes figurative.\nRelationships with others and the environment are the landscape on which his figures move\, small but defined in the detail of dress. And the dress is what one wears to go to a “serious” job\, perhaps behind a desk\, immersed inside a normality where adequacy touches the limits of alienation. Little characters who are man as it is humanity; who tell us about their own inner conflicts and the dismay of the outside.In this narrative of a humanity lost within itself\, too busy observing the world blindfolded to realize where its manner is taking it\, there is no judgment or moral lesson: rather a photograph of a distress\, always conducted with an eye to beauty\, within warm spaces\, on vivid surfaces cut by light.\nThe golfer\, alone\, bends over the ball in the center of a space annihilated\, destroyed\, unequivocally traversed by something inemendable\, pretending that there is a green meadow around him: a blindness that has the flavor of denial\, even more glaring when one looks at how the deer herd moves\, on the same burned surface. \nTrue to an economy of narrative that goes hand in hand with chromatic minimalism\, Lucchesi for long time has chosen a single animal\, the deer precisely\, to serve as a counterbalance to the human figure. Majestic\, elusive\, imbued with magical symbolism of rebirth\, it embodies pure instinct for the artist. While man is lost in his illusion\, the animal forms a pack around him and seeks a way of escape.\nThe hare in this new project comes to complete a very precise path: the unerring instinct is tinged with poetry and becomes creative imagination here. In a leap-just as happens in Lucio Corsi’s song\, a verse of which serves as the exhibition’s title-she has arrived on the moon.\nA revolutionary\, titanic gesture: the animal has realized that the planet is imploding and so it goes away\, elsewhere. It does not think about how to get there\, what it leaves behind\, how it will feed itself\, or even how it will breathe. Its instincts tell to go\, and it goes.\n\n\n\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n  \n  \n  \n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/houston-che-sfortuna-by-gianni-lucchesi/ LOCATION:Genova CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2023/10/mostra-Houston-che-sfortuna-di-Gianni-Lucchesi-Studio-Rossetti-Arte-Contemporanea-1.jpg ORGANIZER;CN="Alessandra Redaelli":MAILTO:info@rossettiartecontemporanea.it END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20231005T200000 DTEND;TZID=Europe/Rome:20231105T190000 DTSTAMP:20260429T143944 CREATED:20240115T135403Z LAST-MODIFIED:20240426T152232Z UID:46347-1696536000-1699210800@www.rossettiartecontemporanea.it SUMMARY:OPERAE by Gianni Lucchesi DESCRIPTION:Rossetti Arte Contemporanea presents Operae by Gianni Lucchesi. \nThe installation is 13 meters tall and consists of 12 concrete cubes\, on top of which sits a life-sized sculpture of a seated man gazing towards the horizon. \nThe interpretation. Knowledge\, wisdom\, and construction draw strength from an interplay between past\, present\, and future.The man lives in the present\, open to receiving ail the stimuli offered by the surrounding environment in harmony with nature. He contemplates the future ahead\, supported by a column symbolizing the value and importance of one’s intellect in history\, seeking the laws that govern the harmony of the universe. \nThe Fibonacci sequence. Observing the sculpture from the apex\, that is\, from the block on which the man is seated\, the Fibonacci sequence marks the rotation of the cubes\, which\, stacked one on top of the other\, support the man in a contemplative posture. They undergo a slight twist\, a rotation of a few degrees\, precisely realizing the golden sequence 1\,1\,2\,3\,5. Metaphorically\, the construction is not anchored to the ground by gravity; on the contrary\, it is supported by the intellect of man. \nGiordano Bruno. Across the entire length of the column\, the hermetic seals of Giordano Bruno are impressed in gold\, with decreasing intensity from top to bottom.Through imaginative effort\, they express the forms of nature through intuition\, capable of uniting our true essence with the infinite universe. \nA school of great artists\, a team of great companies. \nThe sculpture “Operae“ by Gianni Lucchesi is a project developed in collaboration with Carlo Alberto Arzelà\, Julia Caracciolo\, Sandra Bozzarelli\, and the Hangar studio. \nThe artist worked with the company Giannoni & Santoni to develop both the structural solutions of the work and the aesthetic finishes of the surfaces of the concrete cubes\, thanks to the use of the company’s modern technologies combined with craftsmanship of high artistic value. The artist shaped and patinated the resin sculpture in collaboration with the company Poliart\, a leader in 3D moderation of expanded polystyrene. Filotto Srl designed and produced the internal and external lighting of the work. Lo Studio i Ingegneria e Dintorni in Pisa designed the statics of the work.\nVisualizza il video\n\n\n\n  \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/operae-by-gianni-lucchesi/ LOCATION:Piazza De Ferrari\, Piazza De Ferrari\, Genova\, (GE)\, 16121\, Italia CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2024/01/DSC9469.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230525T200000 DTEND;TZID=Europe/Rome:20230625T210000 DTSTAMP:20260429T143944 CREATED:20230524T112125Z LAST-MODIFIED:20230524T112125Z UID:43992-1685044800-1687726800@www.rossettiartecontemporanea.it SUMMARY:“ERASED” by Paolo Ceribelli DESCRIPTION:On the occasion of the exhibition “Erased\,” Paolo Ceribelli showcases the evolution of his personal investigation to which\, for years now\, he has dedicated himself with painstaking dedication. Since the very beginning of his artistic research\, Ceribelli’s expression was originally focused on the iconography-symbol of the Plastic Soldier (2006) and later on the Anti-Tank Barricade (2016)\, both universally recognizable figures that can be traced back to war imagery. \nIn the current cycle\, the artist proposes a key interpretation aimed at the distortion of the object itself: the goal is to overturn the observer’s perception to unhinge the conventional meaning attributed to a symbol\, in order to develop a personal analysis over the complexity of human nature. \nFor this purpose\, the icons of war are estranged and decontextualised. The use of colour changes the perception of the object itself and through the methodical and serial repetition of forms\, either obsessively ordered or deliberately disordered\, the customary idea that they represent is erased. \nWe are witnessing the birth of a holistic representation\, where notions of peace and war coexist in a complex totality far more significant than what the individual forms represents alone. \nThe Anti-Tank Barricade\, well known as “Cheval-de-Frise”\, is a pivotal symbol\, which has been reproduced over the years in different sizes\, colour and materials. A classic emblem of the limit beyond which we are able to push ourselves\, facing a considerable degree of difficulty. In Ceribelli’s work\, however\, the anti-tank barricades\, in the artwork “War and Peace Structure”\, are displayed in a collective tangle where they become a pile that seems to have been accumulated and abandoned. As inert\, once perceived in the complexity of their whole\, they lose their original function as limit and barrier. We no longer consider them as obstacles; on the contrary\, the artist creates a counterpoint to our sensibility and the barricades become a symbol of surrender and of peace. \nThe artist brings together a serial repetition with the symbolism of the circle figure\, also fundamental to his personal poetics. The circular figure is\, by custom\, the emblematic form of cyclical\, infinite and perfect time. But the mathematical constant that gives dimension to this shape is pi\, an irrational number with infinite decimal digits that never repeat themselves. A circle\, seemingly so perfect and unchanging\, is a great container that gathers infinite possibilities of development and interpretation\, without a beginning or an end.\nThe circle is a symbolic figure of a subjective feeling that can represent two opposing actions\, the centripetal and the centrifugal force\, which are correspondingly images of protection and estrangement. \nThe work “Untitled” also offers a deeply personal point of view to the viewers. The method chosen by the artist\, acrylic stamping on paper\, is a diptych whose parts are mirrored and contrasting. On the other hand\, the lightness of the paper must support the heavy references applied by the stamped subjects: the “Cheval-de-Frise”. This work refers to the principle of Chinese philosophy of Taoism\, which highlights the essentiality of balance between opposing and complementary forces. Like the forces of war and peace that live within us\, the artist invites us to embrace responsibility and consciousness. \nPaolo Ceribelli does not base his artistic research on a militaristic notion\, nor on his intent to impose an overarching position. The critical analysis of the self and one’s own inner wars is objective and constructive. In this exhibition\, the artist takes a further step in his research and self-analysis\, strips away his fears and he materialises his inner struggles. The need and desire to go beyond one’s limit is perceived in the stampings of the work “Cloud\,” in which Ceribelli enacts the liberating gesture that approaches disorder and abstraction. He is finally free to break the rigid mechanisms of stubborn perfection that have always been part of his poetics. \nThe inclination to war and the desire for peace are forces that coexist in human beings and they condition our interpretation of the surrounding reality. In the exhibition “Erased”\, we witness the erasure of customs to make room for our perceptions. This results in profound personal searches and in the awareness of our inner struggles\, which are the starting point for self-improvement. As a matter of fact\, it is the viewer who decides to consider what may seem like an unequivocal message as a declaration of war or peace.\n\n\n\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/erased-by-paolo-ceribelli/ LOCATION:Genova CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2023/05/mostra-ERASED-di-Paolo-Ceribelli-Studio-Rossetti-Arte-Contemporanea.jpg ORGANIZER;CN="Alessandra Redaelli":MAILTO:info@rossettiartecontemporanea.it END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230413T200000 DTEND;TZID=Europe/Rome:20230413T213000 DTSTAMP:20260429T143944 CREATED:20240115T140217Z LAST-MODIFIED:20240115T140217Z UID:46349-1681416000-1681421400@www.rossettiartecontemporanea.it SUMMARY:“Materia Abscondit\, Mulier Revelat” – Gala Eluard Dali\, the muse of surrealism DESCRIPTION:On the occasion of the exhibition “Materia abscondit\,” a journey into the feminine revealed through the work of two interesting contemporary artists\, the cultural blog The Meltin Pop – in collaboration with the Studio Rossetti Art Gallery and L’Amico Ritrovato bookstore in Genoa – presents the event “MATERIA ABSCONDIT\, MULIER REVELAT” to celebrate the one who was the true muse of surrealism\, Gala Éluard Dali.\n\nHelena Devulina Diakonoff\, known as Gala Éluard Dali\, was a model\, artist\, art dealer\, wife of the poet Éluard\, lover of Max Ernst\, and later Dali’s wife and muse. Gala is the ‘female’ representation of the art world of the first half of the 20th century.  In her brilliance and ability to reveal the talents of the men to whom she dedicated herself\, Gala Éluard Dali was recounted by the pen of journalist and writer Anna Di Cagno\, who chronicled her life in the fictionalized biography “Gala Éluard Dali. Per interposti uomini” published by Morellini Editore.\n\n\n\n\n\n\nOn Thursday\, April 13\, 2023 at 6 p.m. Arianna Destito Maffeo and Antonella Grandicelli will meet Anna Di Cagno at the Studio Rossetti Art Gallery at 33r Via Chiabrera in Genoa.\n\nFree admission while places last (no reservations required).\n  \nApril 1975\, Pùbol\, Gerona. Gala Éluard Dali retires for a week in solitude to the castle her second husband\, Salvador Dali\, gave her. One night a girl knocks on her door. Thus opens a causal encounter that takes place inside what Dali considered his greatest masterpiece. In each room is a glimpse into the incredible and mythical life of Surrealism’s most celebrated Muse; a woman who marked an era\, and inspired inspired the cultural movement’s most famous poet and artist.\n\n\n\n  \n\n \n \n \n \n \n \n \n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/materia-abscondit-mulier-revelat-gala-eluard-dali-the-muse-of-surrealism/ LOCATION:Genova CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2023/04/blog-Materia-Abscondit-Mulier-Revelat-–-Gala-Eluard-Dali-la-musa-del-surrealismo-Galleria-Studio-Rossetti.jpg ORGANIZER;CN="TheMeltinpop":MAILTO:redazionethemeltinpop@gmail.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230330T180000 DTEND;TZID=Europe/Rome:20230330T180000 DTSTAMP:20260429T143944 CREATED:20240226T132500Z LAST-MODIFIED:20240426T153140Z UID:45679-1680199200-1680199200@www.rossettiartecontemporanea.it SUMMARY:Finance and Art DESCRIPTION:On the occasion of the Finance and Art event\, Zurich Bank hosted Rossetti Arte Contemporanea to set up a group exhibition of the gallery’s artists in the spaces of Terrazza Colombo and invited the gallery owner to talk about art and finance.\n\n\n\n  \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/finance-and-art/ LOCATION:Terrazza Colombo\, via Gabriele D’Annunzio\, 2\, Genova\, (GE)\, 16121\, Italia CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2024/02/evento-Finanza-e-Arte-Rossetti-arte-contemporanea.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230323T190000 DTEND;TZID=Europe/Rome:20230423T210000 DTSTAMP:20260429T143944 CREATED:20231115T131300Z LAST-MODIFIED:20240124T133418Z UID:43993-1679598000-1682283600@www.rossettiartecontemporanea.it SUMMARY:“Materia Abscondit” by Elias Naman and Michela Crisostomi DESCRIPTION:Portions of bodies\, fragments of faces\, details of sinuous backs\, intertwined hands\, interrupted busts. These are the elements conceived by the artistic imagination of two distinct artists from different backgrounds in education\, origin\, research and artistic expression. A sculptor and a painter are merged in the exhibition “Materia Abscondit.” \nElias Naman\, a sculptor of Syrian origin who works only with his bare hands and a chisel\, transforming blocks of Carrara marble into the noblest stone whose history echoes through the centuries. Alternatively\, Michela Crisostomi is a skilled painter of Abruzzese origin\, who paints her canvases as if they were ancient walls\, covering them with thick layers of mortar\, a material that was used for the creation of frescoes\, and applying metal residues and inscriptions. \nThe primordial inspiration that unites these two artists is revealed in the constant dialogue between past and present\, in a relationship between tradition and modernity that leads the viewer to transcendent imagery. Both artists have assimilated the values of masters of the past and\, through the ideal of beauty inherited from classical antiquity\, create a dialogue with the contemporary world made of zooms and rapid framing. \nAlthough made with different methods\, the work of the two artists is intertwined and conditioned by the material they work with: marble blocks and mortar on canvas. These elements inspire the artists to continuously develop ideas that are only tangible with the execution of the work.\n Starting from a datum that is legible to everyone\, but which not everyone sees\, they lead us to a level beyond the ordinary. \nFaced with a “mute” matter\, their sensibility is able to lead them back to a memory or a feeling to which they give form in a bust\, a back\, a breast. \nNaman makes no drawing or model but indulges in his unusual affinity with the cold material to reveal what it conceals. Crisostomi acts on the canvases to transform them into walls from which trapped figures emerge.\nThe works are conceived as if they were found: “Materia Abscondit” is\, in fact\, the exhibition dedicated to rediscovery. \nFrom stone and mortar\, universal figures emerge; figures lightened by layers\, freed from the veil of illusions; figures that become emblems of introspection and self-awareness; figures once again able to see clearly their own only true essence. \nThe works on display speak to us of the need to tear away “the veil\,” to find oneself and reveal oneself.\n\n\n\n  \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/materia-abscondit-by-elias-naman-and-michela-crisostomi/ LOCATION:Genova CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2023/11/mostra-Materia-Abscondit-di-Michela-Crisostomi-e-Elias-Naman-Studio-Rossetti-Arte-Contemporanea.jpg ORGANIZER;CN="Alessandra Redaelli":MAILTO:info@rossettiartecontemporanea.it END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230223T193000 DTEND;TZID=Europe/Rome:20230223T203000 DTSTAMP:20260429T143944 CREATED:20240115T141314Z LAST-MODIFIED:20240115T141314Z UID:46352-1677180600-1677184200@www.rossettiartecontemporanea.it SUMMARY:Presentation of “The book” by Silvio Porzionato DESCRIPTION:The first major\, unpublished and comprehensive publishing work dedicated to the artist Silvio Porzionato.\nA hardcover volume that is divided into 3 sections for no less than 264 full-color pages.\nStories\, reflections\, interviews and a catalog of works\, all in dual language\, Italian and English. “What a fantastic spectacle life is! What an intriguing web of stories and people. And what a precious privilege it would be to be able to relive it played out on the stage of a small theater\, or projected on the big screen. What a wonderful journey\, to be able to observe one’s existence from the outside\, review it and enjoy it as if it were a play of incredible realism.” This is how Silvio Porzionato begins his monographic catalog published by iemme edizioni (Naples\, 2022). An editorial project that Alberto Tondella\, the volume’s editor\, describes as follows: “If life is a journey\, this volume is a stage\, a stop to take two photos\, have a sip of water and look back to observe how far one has come. Silvio’s\, like so many artists’ lives\, is an existence lived in a rush\, with his foot pressed on the accelerator. It is frenzy\, it is the need to finish one work in order to start another\, it is wheezing about not having enough time to be able to accomplish all that the soul can imagine.\nthe book is characterized by three souls. The first is an account of Silvio’s artistic life\, presented through images that speak of anxieties\, joys\, and goals achieved and lost. The second part is a chat among friends over a glass of wine. The third is an important collection of Silvio’s most significant works.” \nThe book presentation will take place on Thursday\, Feb. 23\, at 6:30 p.m. in the presence of artist Silvio Porzionato and author Alberto Tondella. \nA me piace dipingere la carne\,\nmi piace dare luce agli occhi\,\nadoro tutte le sfumature di colori che ci sono sulla carne.\n(S.P.) \n  \nVisualizza video \n\n\n\n\n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/presentation-of-the-book-by-silvio-porzionato/ LOCATION:Genova CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2023/10/blog-Presentazione-del-libro-the-book-di-Silvio-Porzionato-Galleria-Studio-Rossetti.jpg ORGANIZER;CN="Galleria Studio Rossetti":MAILTO:info@rossettiartecontemporanea.it END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20221215T183000 DTEND;TZID=Europe/Rome:20221215T200000 DTSTAMP:20260429T143944 CREATED:20240115T133940Z LAST-MODIFIED:20240426T155517Z UID:46354-1671129000-1671134400@www.rossettiartecontemporanea.it SUMMARY:What are the 12 prime numbers in art history? DESCRIPTION:To this question\, historian\, critic and art appraiser Armando Battelli responded without hesitation that the great artists in history\, those who opened the doors to new movements and enabled the development of subsequent currents\, are few and easily identifiable.\n\nThe new “Gallery Encounter” was born with the desire to give rise to a debate\, a moment of sharing and also of contestation\, an invitation to all participants to formulate their own “formation” in order to give rise to a heated discussion on various ideas.\n\nWatch video 01_Giotto\nWatch video 02_Masaccio\nWatch video 03_Michelangelo\nWatch video 04_Caravaggio\nWatch video 05_Canaletto\nWatch video 06_Manet\nWatch video 07_Cezanne\nWatch video 08_Seurat\nWatch video 09_Picasso\nWatch video 10_Kandinskij\nWatch video 11_Duchamp\nWatch video 12_Andy Wahrol\n\n\n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/what-are-the-12-prime-numbers-in-art-history/ LOCATION:Genova CATEGORIES:Event ATTACH;FMTTYPE=image/png:https://www.rossettiartecontemporanea.it/wp-content/uploads/2024/01/LOPERA-E-LO-SPECCHIO-DELLARTISTA-9.png ORGANIZER;CN="Galleria Studio Rossetti":MAILTO:info@rossettiartecontemporanea.it END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20221020T200000 DTEND;TZID=Europe/Rome:20221020T213000 DTSTAMP:20260429T143944 CREATED:20240115T131613Z LAST-MODIFIED:20240115T131613Z UID:46353-1666296000-1666301400@www.rossettiartecontemporanea.it SUMMARY:POP. A cultural and artistic revolution DESCRIPTION:Professor and historian Daniele Grosso reveals through the most significant images the deep meaning and origins of American POP art and the Italian experience\, selecting repertoire readings to be performed by actor Davide Quillico\, along with an unprecedented performance on the controversial figure of Andy Warhol.\nA multidisciplinary and multifaceted cultural event\, we look forward to seeing you on Thursday\, October 20\, 2022 at 6 p.m. in the spaces of Rossetti Underground.\n\n\n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/pop-a-cultural-and-artistic-revolution/ LOCATION:Rossetti Underground\, Via Chiabrera\, 7\, Genova\, (GE)\, 16123\, Italia CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2022/10/blog-POP-–-una-rivoluzione-culturale-ed-artistica-Galleria-Studio-Rossetti.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20221006T200000 DTEND;TZID=Europe/Rome:20221105T200000 DTSTAMP:20260429T143944 CREATED:20231115T132527Z LAST-MODIFIED:20231115T132527Z UID:43995-1665086400-1667678400@www.rossettiartecontemporanea.it SUMMARY:“Melting Point” by Andrea Savazzi DESCRIPTION:Ancient and modern\, decay and rebirth\, nature and urbanization\, movement and immutability.\nThese are the topics addressed in “MELTING POINT”\, an exhibition by Andrea Savazzi.\nThe vast environments represented by the artist are abandoned places in a surreal but apparent state of freezing.\nA vital glow erupts.\nThey are constructions in which matter\, now apparently worn and crumbled by the passing of time\, retains a strong energy. Where nature\, alive in silent movement\, prevails and regains its own spaces.\nPlaces of a past that want to be the protagonist of the present too\, undergoing the influences of contemporaneity.\nPlaces that belong to the industrial era and take us back to that generation that lived through the post-World War II economic boom. The people who witnessed the moon landing\, a pivotal moment which set the country on the road to modernization.\nHowever\, nowadays they no longer represent the present in which we live.\nThese iron and concrete giants become the unwitting “shelters” where new generations furtively express their thoughts and feelings\, anxieties and fears. \nAn abandoned yet still existing past combines with modernity and allows for other manifestations to revive through the lively expression of nature and contemporary street art.\nAndrea Savazzi succeeds in bringing together all these elements of equal value and authority with great skill. Savazzi manages to bring them back to the canvas\, showing evident artistic maturity.\nThe image\, in his earlier works deliberately blurred\, is now powerful and metaphysical.\nMoisture stains on a wall\, a face or a symbol\, small alterations that never disturb the composition and urge the viewer to identify the ultimate and absolute essence of reality beyond its relative determinations.\nSavazzi’s canvases become a melting point of two very different moments and eras.\nOne is about to run out and the other to take over.\nThey live and coexist in the present and have become complementary.\nBeauty and harmony arise precisely from this perfect and spontaneous balance.\nA balance of contrasts\, destined to change and evolve. \nVirtual Tour\n\n\n\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/melting-point-by-andrea-savazzi/ LOCATION:Genova CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2023/11/mostra-Melting-Point-di-Andrea-Savazzi-Studio-Rossetti-Arte-Contemporanea.jpg ORGANIZER;CN="Alessandra Redaelli":MAILTO:info@rossettiartecontemporanea.it END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20220625T200000 DTEND;TZID=Europe/Rome:20220625T213000 DTSTAMP:20260429T143944 CREATED:20240116T083623Z LAST-MODIFIED:20240426T155953Z UID:46360-1656187200-1656192600@www.rossettiartecontemporanea.it SUMMARY:Ceci n’est pas Pop Art DESCRIPTION:From American Pop Art to European Pop Art: it often happens to juxtapose artists and images with this current.\n\nBut what is Pop Art\, what concepts does it encompass? What can be considered Pop and what cannot?\n\nThe late 1950s and early 1960s saw the birth of Pop Art\, a movement that was an expression of consumer society and mass communication.\n\nAccording to some\, Pop Art-popular art-must be reproducible and therefore for everyone\, it must represent the new reality.\n\n\nAccording to others\, Pop Art is a denunciation of the existential angst of chaotic emptiness disguised in bright\, eye-catching colors.\n\nThrough a narration led by speaker Armando Battelli\, we will try to discover together this movement\, its origins and evolutions!\nWatch the video\n\n\n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/ceci-nest-pas-pop-art/ LOCATION:Genova CATEGORIES:Event ATTACH;FMTTYPE=image/png:https://www.rossettiartecontemporanea.it/wp-content/uploads/2024/01/Ceci-16.06.21.png ORGANIZER;CN="Galleria Studio Rossetti":MAILTO:info@rossettiartecontemporanea.it END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20220609T200000 DTEND;TZID=Europe/Rome:20220609T213000 DTSTAMP:20260429T143944 CREATED:20240115T133156Z LAST-MODIFIED:20240115T133156Z UID:46363-1654804800-1654810200@www.rossettiartecontemporanea.it SUMMARY:Genova 60 DESCRIPTION:On the occasion of the exhibition “Genova 60\,” which will open from April 14 to July 31\, 2022 at the Palazzo Reale in Genoa’s Falcone Theater\, Galleria Studio Rossetti is hosting a meeting with curator Luca Leoncini\, organized and introduced by Enrica Perilio.\n\nThe event will be held on Thursday\, June 9\, at 6 p.m. in the atrium of Palazzo Saluzzo\, Piazza dei Giustiniani.\n\nThe aim of this grandiose fresco-exhibition is to tell the story of the great transformations of Genoa in the 1960s\, a decade of profound changes due to the burst of new ideas and renewed cultural stimuli\, significant social changes\, economic innovations and new languages that marked an acceleration in the productions of the visual arts.\n\n\nIn a handful of years old Genoa was transformed\, attracting great professionals from outside but also galvanizing its own cultural resources to turn visions into reality. The exhibition addresses this energy of growth across the board\, as creativity was stimulated in all areas\, from art and design to music\, culture\, and economics.\n\nLearn more about the exhibition at the following link:\nhttps://palazzorealegenova.beniculturali.it/genova-sessanta/\n\n\n\n  \n\n \n \n \n \n \n \n \n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/genova-60/ LOCATION:Palazzo Saluzzo\, Via Chiabrera\, 7\, Genova\, (GE)\, 16123\, Italia CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2022/06/blog-Genova-60-Galleria-Studio-Rossetti-01-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20220520T200000 DTEND;TZID=Europe/Rome:20220619T210000 DTSTAMP:20260429T143944 CREATED:20231115T132221Z LAST-MODIFIED:20240426T160200Z UID:43996-1653076800-1655672400@www.rossettiartecontemporanea.it SUMMARY:“Thank you for shopping” by Florence Di Benedetto DESCRIPTION:The artist Florence Di Benedetto\, succeeds in entering an intimate dimension\, where everyday objects become themselves symbols\, domestic icons\, within the reach of all. \nIn this exhibition\, “Thank you for shopping!” the artpieces represent “Things” that acquire a real personalization: they are able to speak to the consumer and put them before the overabundance of products and the ease with which our society\, up until now\, is accustomed quickly acquire them. \nThe supermarket\, then\, is a place symbolic of pop culture\, where everything is available in infinite quantity and variety. But also a sacred place\, a secular temple\, a repository of hopes and desires. \n\n\n\n\nConsumerism as a modern religion. Just as believers of all faiths trust rituals and prayers to show them the way\, we too\, today more than ever\, look to objects for the fulfillment of our destiny\, the meaning of what we do\, and who we are.\nIn a time in which precariousness and solitude abound\, we tend to surround ourselves with things that we imbue with broader and deeper meanings\, with the aim of finding consolation\, a form of reassurance. \nThe aesthetic beauty of the works on display makes the immersive experience enjoyable and fun. The viewer becomes an active part of the process\, gets involved and leaves satisfied. \n\n\n\n\n\n  \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/thank-you-for-shopping-by-florence-di-benedetto/ LOCATION:Genova CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2023/11/mostra-Thank-you-for-shopping-di-Florence-Di-Benedetto-Studio-Rossetti-Arte-Contemporanea.jpg ORGANIZER;CN="Alessandra Redaelli":MAILTO:info@rossettiartecontemporanea.it END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20220429 DTEND;VALUE=DATE:20220430 DTSTAMP:20260429T143944 CREATED:20240126T171218Z LAST-MODIFIED:20240126T171218Z UID:46366-1651190400-1651276799@www.rossettiartecontemporanea.it SUMMARY:The divine mechanics DESCRIPTION:A conversation between Davide Puma and Dr. Sara Taglialagamba  \nIn Davide Puma’s artistic journey\, it is customary for science and poetry to merge into a single overall vision\, creating a powerful and entirely personal language. Their divine resonance transforms visions into images\, creating a cosmogony of energy\, elements\, matter\, and atoms that\, colliding with each other\, catapult the viewer into an ideal world entirely dominated by nature populated by metamorphic animals under the protection of primal goddesses. \nThis is the theme of the exhibition: in line with a philosophical thought rooted in antiquity\, Puma proposes the idea of a universe understood as a living organism in continuous becoming and the result of mechanical iteration between elementary particles. It is precisely through reflection on the theme of movement\, change\, and the incessant transformation of nature that the artist succeeds in shaping his personal intuition of the world and contributing to the unceasing learning of that “mechanics  of the universe\,” which is the basis of all his paintings. This divine eurythmy manages to materialize in his gardens\, which become ideal and idealized places of creation\, stripping themselves of their figurative meaning but dressing themselves in the role of archetype. In Puma’s mind\, his gardens are the place where the matrix symbols of the universe are manifested: they are the places inhabited by his creatures that take on continuous metamorphoses\, charging themselves with hidden meanings and allegories; they are the places of revelation of his thought under the unchallenged dominion of Queen Mothers of nature and all the elements.\nSara Tagalialagamba \nAn Art Historian\, PhD and Post PhD (Ecole Pratique des Hautes Etudes\, Sorbonne\, Paris)\, she has been a historical collaborator of Professor Carlo Pedretti\, the world’s foremost Leonardo da Vinci scholar and holder of the Chair of Leonardo Studies at UCLA Los Angeles. She has taught at prestigious institutes in Italy and abroad\, publishing monographs and articles and receiving awards of the highest caliber. His favorite fields of study are static and dynamic mechanics\, automations\, robotics\, engineering\, hydraulic and pneumatic contrivances\, fountains\, and horology. His first book\, “Automations and Robotics of Leonardo da Vinci\,” published in 2010\, received an honorable mention from Scientific American magazine in an article on some automata built at Nasa. In addition to being involved with numerous international conferences and on the scientific committee of important exhibitions in the year of celebrations for the five hundredth anniversary of the death of Leonardo\, she has the book Leonardo Industrial Designer coming out where she studies a new theme marked by the combination of beauty and utility. She was invited as a TED SPEAKER in Bergamo. Already a visiting professor at the Robotics department of UNAM in Mexico City and at UCLA (Los Angeles\, USA) and a scholarship holder at the Museo Galileo in Florence\, he is currently director of the Nuova Fondazione Rossana e Carlo Pedretti and is an associate professor at the Department of Philosophy and History of Science at the University of Urbino. He loves contemporary art and is responsible for organizing events\, exhibitions and meetings at prestigious historical\, public and private institutions. \nWatch video\n\n\n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/the-divine-mechanics/ LOCATION:Rossetti Underground\, Via Chiabrera\, 7\, Genova\, (GE)\, 16123\, Italia CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2023/11/blog-La-meccanica-divina-Galleria-Studio-Rossetti-1.jpg ORGANIZER;CN="Galleria Studio Rossetti":MAILTO:info@rossettiartecontemporanea.it END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20220324 DTEND;VALUE=DATE:20220425 DTSTAMP:20260429T143944 CREATED:20231115T133056Z LAST-MODIFIED:20231115T133056Z UID:43997-1648083600-1650765599@www.rossettiartecontemporanea.it SUMMARY:“Altro non posso fare che germogliare e fiorire” by Davide Puma DESCRIPTION:The artist Davide Puma\, originally from Liguria and fond of the colors\, scents and lights of this land\, after having exhibited his paintings internationally\, returns to his origins and with his arrival in Genoa\, spring blooms.\nThe artworks created for the exhibition “Altro non posso fare che germogliare e fiorire” (I can’t do anything else but sprout and blossom) are hypnotizing and seem to whisper sweetly to us to immerse ourselves in them\, in order to find and amaze ourselves in front of natural spectacles\, in a cradling and flourishing nature. \nFor the occasion\, the gallery has commissioned the communication agency Siks Adv to create a new video that will be projected for the entire duration of the exhibition in one of the rooms of Studio Rossetti Underground\, to guide the viewer in the interpretation of the personality and artistic vision of Davide Puma.\nDavide Puma’s marvelous gardens open like doors to fantastic worlds and become portals to a comforting peace.\nThe guiding force behind Davide Puma’s exhibition is\, in fact\, nature\, with which he has an intimate and deep-rooted relationship. It contains\, in all its vital forms\, in its language and in its components\, what for the artist represents the meaning of the universe. Puma’s artistic imagery describes nature transcending its physical dimension\, the atmospheres it suggests oscillate between the fairy-tale and the dreamlike.\nThe delicacy and lightness that run through Davide Puma’s canvases lead to a reflection on nature and on the superior laws that determine it and allow each element that is part of it to move and change.\nThe importance that Puma attributes to color\, to the expression of nature and to light determined the choice that the artist made to move to paint in the Ligurian town of Bordighera. A place particularly linked to art\, with bright energies and brilliant details. Even Monet\, traveling with Renoir\, was enchanted by this place for its lights and its pink and blue colors\, which are the same in which Davide Puma dips his brushes.\n\n\n\n  \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/altro-non-posso-fare-che-germogliare-e-fiorire-by-davide-puma/ LOCATION:Genova CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2023/11/mostra-Altro-non-posso-fare-che-germogliare-e-fiorire-di-Davide-Puma-Studio-Rossetti-Arte-Contemporanea.jpg ORGANIZER;CN="Alessandra Redaelli":MAILTO:info@rossettiartecontemporanea.it END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20220312T183000 DTEND;TZID=Europe/Rome:20220312T203000 DTSTAMP:20260429T143944 CREATED:20240115T132821Z LAST-MODIFIED:20240115T133107Z UID:43022-1647109800-1647117000@www.rossettiartecontemporanea.it SUMMARY:Synthèse visuelle. Scomporre in frame l’attimo. Il diario di una ricerca DESCRIPTION:In occasione della mostra Monet. Capolavori dal Musée Marmottan Monet di Parigi\, a Palazzo Ducale a Genova\, la Galleria Studio Rossetti presenta il volume Monica Gorini. Synthèse visuelle. Scomporre in frame l’attimo. Il diario di una ricerca\, edito Vanilla Edizioni\, un diario-ricerca che l’artista Monica Gorini ha realizzato a seguito di un viaggio “geografico ed artistico fatto di colori\, di natura\, di pensiero e di poesia\, con le ninfee negli occhi\, la pittura di Monet nel cuore e il desiderio di colore nella testa”.\nLa presentazione si terrà sabato 12 marzo alle ore 17.30\, alla presenza dell’editore\, dell’autrice e di Lorella Giudici\, autrice della prefazione.“A settantaquattro anni Claude Monet iniziava il suo ultimo e monumentale progetto: i pannelli per l’Orangérie. Su dodici tele dalle dimensioni maestose e per più di dieci anni\, Monet ha lavorato a quello che possiamo definire il suo testamento artistico e spirituale: le Ninfee. Nel suo giardino di Giverny\, dove ogni centimetro di terra\, d’acqua e di prato è stato appositamente costruito per soddisfare la sua pittura\, l’artista ha realizzato il suo sogno: la fusione totale di arte\, colore\, natura e infinito.\nIl racconto di Monica Gorini ha inizio proprio dai luoghi vissuti da Monet: da Etretat\, Honfleur\, Le Havre e\, ovviamente\, Giverny. Per due anni Monica ha idealmente dialogato con il Maestro in un lungo viaggio\, geografico botanico ed artistico\, ricco di emozioni\, di immagini\, di ricerche e di scoperte che ha racchiuso tra le pagine di questo diario\, in una narrazione coinvolgente\, fresca\, immediata\, ricca di riferimenti culturali e umani.\nCon le ninfee negli occhi\, la pittura di Monet nel cuore e il desiderio di colore nella testa\, Monica ha poi cercato la propria dimensione artistica traducendo le “impressioni” in un linguaggio concettuale. L’obiettivo\, quindi\, non è rifare Monet\, dipingere i fiori o il paesaggio di Giverny\, bensì trovare\, attraverso i luoghi della sua pittura\, il “segreto del colore” e trasformarlo in una sorta di legge empirica\, in un personale sistema cifrato che racchiude la natura\, l’anima e la psiche”.\n(Lorella Giudici)\nMonica Gorini (1967) è un’artista che vive e lavora tra Milano e il Lago d’Orta. Diplomata all’Accademia di Belle Arti di Brera a Milano\, con docenti eccellenti come Elena Pontiggia e Paolo Minoli\, ha da sempre affiancato all’attività artistica la formazione in ambito pedagogico didattico collaborando con l’Università Bicocca di Milano e l’Accademia di Belle Arti di Brera. Sensibilmente legata al mondo della natura e dei diritti è alla ricerca di un’estetica che stimoli riflessioni attuali ed intime\, finalizzate allo sviluppo di una coscienza sociale e di una nuova ecologia spirituale del mondo. \nLorella Giudici (1965) è professore di storia dell’arte contemporanea all’Accademia di Belle Arti di Brera di Milano. Dopo una laurea in Lettere Moderne con indirizzo storico-artistico all’Università Statale di Milano e una in pittura all’Accademia di Belle Arti di Brera\, cura mostre e si occupa dell’arte tra Ottocento e Novecento\, con particolare interesse al periodo tra le due guerre. Scrive per il TGCOM e per riviste del settore. È membro del comitato scientifico della Fondazione Remo Bianco\, della Fondazione Sangregorio e dell’Archivio Dadamaino. È stata direttrice del Museo del Paesaggio di Verbania.\n\n\n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/synthese-visuelle-scomporre-in-frame-lattimo-il-diario-di-una-ricerca/ LOCATION:Genova CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2023/03/blog-Synthese-visuelle-Galleria-Studio-Rossetti.jpg ORGANIZER;CN="Vanilla Edizioni":MAILTO:info@vanillaedizioni.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20220302T180000 DTEND;TZID=Europe/Rome:20220302T180000 DTSTAMP:20260429T143944 CREATED:20240228T081201Z LAST-MODIFIED:20240228T081738Z UID:45681-1646244000-1646244000@www.rossettiartecontemporanea.it SUMMARY:“L'arte di legare le persone” by Paolo Milone – Einaudi Publisher DESCRIPTION:“L’arte di legare le persone” (Einaudi Publisher) is a book that one struggles to define and any definition remains incomplete. \nHow often we speak of doctors as heroes\, martyrs\, victims–in truth\, outside of rhetoric\, men and women exposed to evil. Passionate and fragile\, fallible\, mortal. Paolo Milone has worked for forty years in emergency psychiatry\, and he tells us exactly that. Naked and biting\, without discounting himself. With a music all his own\, he catapults us inside Ward 77\, where the mystery of mental illness coexists with the very human everydayness of those who\, at the end of their shift\, must take off their scrubs and remember to buy milk.\nOne year after its release\, Wednesday\, March 2 at 6 p.m\, The Meltin Pop blog and Rossetti Arte Contemporanea gallery are organizing a meeting with author Paolo Milone\, who will dialogue with his readers\, accompanied by writer and psychotherapist Bruno Morchio.\nReadings by Lucia Caponetto.The meeting will take place at Rossetti Arte Contemporanea\nat Via Chiabrera 33r Genoa. \nPoster\n\n\n\n  \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/larte-di-legare-le-persone-by-paolo-milone-einaudi-publisher/ LOCATION:Palazzo Saluzzo\, Via Chiabrera\, 7\, Genova\, (GE)\, 16123\, Italia CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2024/02/evento-Larte-di-legare-le-persone-di-Paolo-Milone-–-Einaudi-Editore-Rossetti-arte-contemporanea.jpg ORGANIZER;CN="TheMeltinpop":MAILTO:redazionethemeltinpop@gmail.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20211216T190000 DTEND;TZID=Europe/Rome:20211216T203000 DTSTAMP:20260429T143944 CREATED:20240115T132536Z LAST-MODIFIED:20240207T131122Z UID:43014-1639681200-1639686600@www.rossettiartecontemporanea.it SUMMARY:Lo stravolgimento della figura tra esigenze stilistiche ed espressioni esistenziali DESCRIPTION:La figura umana è la rappresentazione in grado di comunicare meglio quelle che possono essere le sensazioni e le emozioni delle persone. Anche gli oggetti possono trasmettere il pensiero di un artista: basti pensare a Giorgio Morandi\, capace di trasformare una semplice natura morta in elegie sull’esistenza. Tuttavia\, la figura umana\, in quanto espressione della parte umana della vita\, è riconosciuta come la più comunicativa sotto diversi punti di vista. \nIn questa conferenza\, perfettamente in linea con la mostra in corso Verdad Muda\, di Evita Andújar\, il relatore Armando Battelli si addentra nell’interessante aspetto che confronta lo stile dell’artista con la sua intenzione comunicativa. \nIn alcuni casi\, la figura è appositamente distorta nel senso estetico\, allo scopo di esprimere un sentimento di angoscia\, innamoramento\, sorpresa\, straniamento; altre volte\, la stessa viene manipolata per ragioni stilistiche.\nQuando Picasso costruisce un quadro\, non lo fa per sentimento\, a differenza del collega Munch\, ma per equilibrio formale\, che ha un significato all’interno dell’arte espressiva. In questo caso\, la figura stravolta non vuole esprimere un malessere o\, in generale\, un sentimento\, bensì vuole creare all’interno di uno stile il suo movimento stilistico\, vuole costruire l’immagine. Donatello\, Caravaggio\, lo stesso Renoir\, non stravolgono la figura per esprimersi\, al contrario esprimono il loro sentimento con una figura esposta in un certo tipo di modo: la figura stravolta non è solo tale in senso espressivo ma anche stilistico. \nVi aspettiamo giovedì 16 dicembre alle ore 18.00 per approfondire questa tematica attuale e stimolante\, circondati dalle opere di Evita Andújar. \nVisualizza video\n\n\n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/lo-stravolgimento-della-figura-tra-esigenze-stilistiche-ed-espressioni-esistenziali/ LOCATION:Genova CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2024/01/vuoto-eventi-1.jpg ORGANIZER;CN="Galleria Studio Rossetti":MAILTO:info@rossettiartecontemporanea.it END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20211215T190000 DTEND;TZID=Europe/Rome:20211215T203000 DTSTAMP:20260429T143944 CREATED:20240115T141020Z LAST-MODIFIED:20240115T141221Z UID:43078-1639594800-1639600200@www.rossettiartecontemporanea.it SUMMARY:Suggestioni e nostalgie del Giappone nella pittura occidentale DESCRIPTION:Venerdì 5 novembre\, alle ore 18:00\, presso la nostra galleria\, verrà presentata la conferenza Incontri in galleria del relatore Armando Battelli\, storico e perito d’arte\, dal titolo “Suggestioni e nostalgie  del Giappone nella pittura occidentale dal XIX secolo ad oggi”. \nVerrà approfondito il Japonisme\, ossia l’influenza che ha avuto l’arte giapponese sui grandi maestri occidentali\, in particolare sugli artisti francesi.\nQuesta passione per l’arte giapponese non avrebbe avuto luogo se le stampe giapponesi non fossero sopraggiunte in Olanda tramite la Compagnia delle Indie\, e poi diffuse in tutta Europa. Gli artisti europei che vennero influenzati dall’arte giapponese furono: Van Gogh\, Monet\, Manet\, Degas\, Renoir\, Pissarro\, Klimt\, Charles-Louis Houdard e moltri altri\, che scopriremo insieme. \nVisualizza il video\n\n\n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/suggestioni-e-nostalgie-del-giappone-nella-pittura-occidentale/ LOCATION:Rossetti Underground\, Via Chiabrera\, 7\, Genova\, (GE)\, 16123\, Italia CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2022/11/blog-Suggestioni-e-nostalgie-del-Giappone-nella-pittura-occidentale-Galleria-Studio-Rossetti.jpg ORGANIZER;CN="Galleria Studio Rossetti":MAILTO:info@rossettiartecontemporanea.it END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20211125T190000 DTEND;TZID=Europe/Rome:20220109T200000 DTSTAMP:20260429T143944 CREATED:20231115T133250Z LAST-MODIFIED:20240124T134102Z UID:43998-1637866800-1641758400@www.rossettiartecontemporanea.it SUMMARY:“Verdad Muda” by Evita Andújar DESCRIPTION:Studio Rossetti Gallery welcomes the winter exhibition season with the opening of “Verdad Muda\,” the solo exhibition of Andalusian artist Evita Andújar\, curated by Raffaella Salato. The exhibition will open to the public on Thursday\, November 25\, and will be on view until January 9\, 2022. \n“A continuous narration that proceeds by snapshots\, a story made of still images (or\, as we say today\, of “screenshots”) that are assembled in a complex puzzle\, varied and constantly evolving: this is the feminine universe of Evita Andújar\, the undisputed protagonist of the poetics of the Andalusian artist\, who always works in the balance – but with skillful mastery of intention and gesture – on the ridge that runs between figuration and abstraction. \nThe exhibition entitled ‘Verdad muda’ collects a series of paintings from the cycle ‘Stolen Selfie’\, inspired by the paradox of our hyper-technological society\, overexposed to a continuous flow of images and information that\, however\, often lack real content. The identities that social networks obsessively send back to us are only pale simulacra of a reality that few\, by now\, bother to penetrate and know: so Andújar distorts and erases these surface individualities with the declared aim of provoking an alternative reflection\, of shifting the focus from appearance to substance. \nEvita’s women\, as she herself has often explained\, are at the same time her alter-ego and archetypes of contemporary femininity\, enclosing in themselves on the one hand the reflection of the artist’s multiple nuances\, and on the other hand paradigmatic images of today’s woman\, immersed in a complex\, restless\, buzzing reality\, which forces her to be – to paraphrase Pirandello – “one\, none and a hundred thousand”\, in a perpetual dialectic with the mutability of human relationships and the fleeting nature of existence. \nThis sense of elusiveness and temporariness\, from which none of us is immune\, is translated on Evita’s canvases\, evidently transfiguring the protagonist\, she\, the woman: although undeniably the center of the scene\, as happens in the tradition of the portrait\, the female figure loses its identity\, which often liquefies in the domination of the pictorial matter on the image (as in ‘Stolen Selfie 69 or Brezza’)\, sometimes she deliberately hides or subtracts herself (for example\, in ‘Stolen Selfie 45 or Hide what you are not’)\, other times\, finally\, she doubles in partial reflections of herself that never give back a definite identikit (‘Stolen Selfie 56 or In the white of tomorrow’).\nThe final result\, in the eyes of the observer\, is that of a suspended tale\, crystallized in a fragment of the present that gives no answers\, in which the solitude of the woman – in Andújar’s paintings there are never any characters in the background – becomes a symbol and personification of the estrangement of today’s world. In this sense\, it is almost natural to draw a parallel with the women of Edward Hopper\, master of American Realism of the 20th century: it is as if Evita’s canvases\, which have an almost cinematographic flavor\, like frames of a film shot indoors\, were narrating our personal crisis\, our intrinsic solitude. Observing her paintings has an almost cathartic effect: it is like looking at ourselves reflected in a mirror that shows us as we are\, offering us an opportunity to better understand our existential condition. \nAnd yet\, in the artist’s canvases there is always an element of hope\, a tension between physical space\, time and emotions\, a spark that leads us to question ourselves on the “what” and the “why”: the accuracy of the rendering of certain details in the setting (representing mostly bourgeois domestic environments)\, the never casual use of light and color (the intense blues\, the bright reds\, the flashing whites)\, the poses or gestures of the figures that never appear passively static but rather traversed by a composed and controlled subterranean restlessness\, suggest to us a story that has yet to be written\, an “other” key to interpretation that emerges through the different interpretive levels of the work\, a verdad muda that presses inexorably for a voice. ” \nRaffaella Salato\n\n\n\n  \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/verdad-muda-by-evita-andujar/ LOCATION:Genova CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2023/11/mostra-Verdad-Muda-di-Evita-Andujar-Studio-Rossetti-Arte-Contemporanea.jpg ORGANIZER;CN="Alessandra Redaelli":MAILTO:info@rossettiartecontemporanea.it END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20211123 DTEND;VALUE=DATE:20211124 DTSTAMP:20260429T143944 CREATED:20240126T173445Z LAST-MODIFIED:20240126T173445Z UID:44608-1637625600-1637711999@www.rossettiartecontemporanea.it SUMMARY:Inaugurazione dello Studio Rossetti Underground DESCRIPTION: URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/inaugurazione-dello-studio-rossetti-underground/ LOCATION:Rossetti Underground\, Via Chiabrera\, 7\, Genova\, (GE)\, 16123\, Italia CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2021/11/blog-Studio-Rossetti-Underground-Galleria-Studio-Rossetti.jpg ORGANIZER;CN="Galleria Studio Rossetti":MAILTO:info@rossettiartecontemporanea.it END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20211108T183000 DTEND;TZID=Europe/Rome:20211108T183000 DTSTAMP:20260429T143944 CREATED:20240228T081154Z LAST-MODIFIED:20240228T081154Z UID:45680-1636396200-1636396200@www.rossettiartecontemporanea.it SUMMARY:“Noncestoria” by Gianni Ansaldi DESCRIPTION:Photographer Gianni Ansaldi\, in his first narrative work\, composes a novel with experimental features in which a tight sequence of prologues and epilogues alternates instead of traditional chapters.\nThe time is that of a dream\, spiraling: past and present intertwine and blur. The two characters who animate the story are destined for a fateful encounter.\nOne lives in many pasts made unreal by memory\, the other in a present made unreal by drug chemistry. When they both arrive in a real present for one of them it is the end.\n\n\n\n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/noncestoria-by-gianni-ansaldi/ LOCATION:Palazzo Saluzzo\, Via Chiabrera\, 7\, Genova\, (GE)\, 16123\, Italia CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2024/02/evento-Noncestoria-di-Gianni-Ansaldi-Rossetti-arte-contemporanea-scaled.jpg ORGANIZER;CN="TheMeltinpop":MAILTO:redazionethemeltinpop@gmail.com END:VEVENT END:VCALENDAR