BEGIN:VCALENDAR VERSION:2.0 PRODID:-//ROSSETTI arte contemporanea - ECPv6.5.1.4//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://www.rossettiartecontemporanea.it/en/ X-WR-CALDESC:Events for ROSSETTI arte contemporanea REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:Europe/Rome BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20210328T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20211031T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20220327T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20221030T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20230326T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20231029T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20240331T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20241027T010000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20241011T000000 DTEND;TZID=Europe/Rome:20241013T235900 DTSTAMP:20260428T043506 CREATED:20241008T144055Z LAST-MODIFIED:20241008T144055Z UID:48108-1728604800-1728863940@www.rossettiartecontemporanea.it SUMMARY:ArtVerona 2024 DESCRIPTION:From Friday\, October 11 to Sunday\, October 13\, 2024\, you will find us at ArtVerona\, the reference fair for the enhancement and support of the Italian and international art system \nAn event attentive to novelty and history\, capable of presenting the most experimental languages of contemporary and the masters of modern art\, creating\, in the many sections and projects that animate it\, spaces for knowledge and sharing. \n  \nFor the occasion\, Rossetti Gallery will exclusively exhibit the new Blueseries series by Silvio Porzionato. \nThe artist will be present during the fair. \nWe look forward to seeing you in Hall 12 Stand F13. \nTranslated with DeepL.com (free version) URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/artverona-2024/ LOCATION:Veronafiere\, V.le del Lavoro 8\, Verona\, Italia CATEGORIES:Art Fair ATTACH;FMTTYPE=image/webp:https://www.rossettiartecontemporanea.it/wp-content/uploads/2024/09/Sito-1-scaled-1.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20241004T180000 DTEND;TZID=Europe/Rome:20241004T203000 DTSTAMP:20260428T043506 CREATED:20240918T163919Z LAST-MODIFIED:20240918T163919Z UID:47831-1728064800-1728073800@www.rossettiartecontemporanea.it SUMMARY:Meet André Aciman DESCRIPTION:ANDRE’ ACIMAN\, WRITER OF “CALL ME BY YOUR NAME\,” PRESENTS NATIONAL PREMIERE IN GENOA AND SAVONA OF HIS NEW COLLECTION OF ESSAYS\nI \nThe two events will take place on October 3 and 4 at “Officine Suleiman” and “Rossetti arte contemporanea” gallery. On the same days\, the first filming of the documentary dedicated to the author will take place. \nThe cities of Genoa and Savona are preparing to become the cradle of literature with an event of international caliber. André Aciman\, writer of the famous novel “Call Me by Your Name\,” will in fact be in Liguria on Oct. 3 and 4 to present the national premiere of his new collection of essays. The locations will be the “Officine Solimano” (6:30 p.m.) in Savona and the “Rossetti arte contemporanea” gallery in Genoa (6 p.m.). \nThe same days will also see the first filming of the documentary dedicated to André Aciman\, which will be directed by independent director and producer Samuele Mancini and the collaboration of the authors\, students of the University of Genoa\, Alessia Spinola\, Ylenia De Leonardis and Rebecca Roddolo. \nThe meetings and the documentary aim to bring to light the relationship of the famous international writer with Liguria\, which has always been evoked in his writing. This talk proposes to highlight the strong bond between the author and the region\, whose beauty and art shaped his works. “Call Me by Your Name\,” his best-known novel\, from which the 2018 Oscar-winning film of the same name was made\, is in fact set in the Ligurian Riviera\, more precisely in Bordighera. \nThe aim is to make people discover an unseen side of this Region\, made up of villages and roads that are still little known; giving rise to a new form of tourism that goes beyond the summer season. During the two events it is intended to focus on art and literature as fundamental themes in an increasingly digitized world in which the dimension of “real life” is lost in the facets of the digital one. \nINFO AND PROGRAMMING \n18:00 Meeting with André Aciman\n7:45 p.m. Greetings aperitif\nMax 25 seats / reservations required\nFor reservations at link: https://www.samuelemancini.com/andre-aciman-genova\nor via Whatsup message at:\nAlessia +39 340 389 5120 \n \n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/meet-andre-aciman/ LOCATION:Rossetti Underground\, Via Chiabrera\, 7\, Genova\, (GE)\, 16123\, Italia CATEGORIES:Event ATTACH;FMTTYPE=image/png:https://www.rossettiartecontemporanea.it/wp-content/uploads/2024/09/Progetto-senza-titolo-35.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20241003T180000 DTEND;TZID=Europe/Rome:20241103T180000 DTSTAMP:20260428T043506 CREATED:20240912T140418Z LAST-MODIFIED:20240918T171411Z UID:47796-1727978400-1730656800@www.rossettiartecontemporanea.it SUMMARY:Il rosso è vendicativo by Alessandra Gasparini DESCRIPTION:On the occasion of the opening of the new exhibition season\, in the context of the event START – the white night of modern and contemporary art\, the Rossetti Gallery proposes the solo exhibition “Il rosso è vendicativo” (“Red is vindictive”) by Alessandra Gasparini\, a multifaceted artist whose talent becomes an emblem of freedom of expression and openness to knowledge and instinct. \nAlessandra Gasparini possesses a world\, inside\, so imposing and so packed with suggestions and images that when it gushes onto the canvas it stretches there in complex\, rich narratives\, impossible to grasp at first glance. Paintings of slow and meticulous construction\, impeccable in the concatenation of logical connections and\, nevertheless\, imbued with an instinctuality that does not go unnoticed\, with a wild\, untamable creativity\, which is then the ingredient of enchantment. \nProtagonists of Gasparini’s painting are children. Never chosen at random\, beautiful with a beauty that is by no means prissy but rather harsh\, rough; children who have not yet lost the ability to believe in themselves typical of childhood\, the sense of omnipotence that nails the adult to the relativity of his own convictions. Not yet human\, as the artist defines them\, certainly not yet tamed by the mask of adulthood. \nOne of the artist’s unique features is his delight in continuing the narrative by adding a piece of the story behind the framed canvas. It is the space of freedom\, the mockery of the limitations of the boundaries of the canvas. An installation will be placed in the atrium of Palazzo Saluzzo with the painting “I Had a Chair\,” on the back of which a naked little girl appears huddled in a seat\, pondering how to use the large jar of red paint she holds next to her. Nearby is the inscription\, “When red calls\, it is best to humor it. Red is vindictive.” URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/il-rosso-e-vendicativo-by-alessandra-gasparini/ LOCATION:Genova CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2024/09/GASPARINI_visual-ok_1920x1080.jpg ORGANIZER;CN="ROSSETTI arte contemporanea":MAILTO:info@rossettiartecontemporanea.it END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20240411T180000 DTEND;TZID=Europe/Rome:20240411T193000 DTSTAMP:20260428T043506 CREATED:20240316T141631Z LAST-MODIFIED:20240614T165732Z UID:46214-1712858400-1712863800@www.rossettiartecontemporanea.it SUMMARY:Enigma Tiziano by Chiara Montani DESCRIPTION:“Enigma Tiziano” by Chiara Montani – Garzanti Editore\, a historical novel set during World War II that\, through the compelling story of Aida\, eviscerates with deep passion and mastery the genius of the great master Tiziano Vecellio\, known simply as Titian. \n“Aida is a restorer\, and her mission becomes to unearth the painting she senses is hidden beneath the anonymous surface. What she discovers is beyond expectation: never would she have imagined that she was standing before an authentic Tiziano.” \nOn Thursday\, April 11\, writer Chiara Montani will be present at the gallery to talk in person about her book\, which addresses numerous issues\, including the danger to which not only people but also works of art have been subjected. It was possible to organize this event thanks to Enrica Perilio\, curator of museum services\, who will present and conduct the meeting. Special guest of the evening will be art critic and historian Giovanna Rotondi Terminiello\, whose presence will be crucial as she witnessed the brutality of that historical period and\, as an art lover\, will tell us in person her story\, akin to that of the novel’s protagonist. \nWe look forward to seeing you on Thursday\, April 11 at 6 p.m. to talk about the book “Enigma Tiziano” by Chiara Montani and the testimonies of critic and historian Giovanna Rotondi Terminiello. \nChiara Montani \nChiara Montani\, an architect by training\, has worked in the fields of design\, graphics and art\, exploring various techniques and materials\, and participating in exhibitions in Italy and abroad. A specialist in art therapy\, she has been leading workshops on the therapeutic potential of the creative process for years. \nGiovanna Rotondi Terminiello \nAn art historian\, she has been involved in the protection\, conservation\, restoration and enhancement of works of art as an employee of the Ministry of Cultural Heritage and Tourism in which she worked in Genoa\, holding the position of superintendent for the artistic and historical heritage of Liguria from 1967 to 1997. In that capacity she directed restoration campaigns\, organized exhibitions on Genoese artistic civilization in Liguria\, Italy and abroad\, founded and set up museums (such as the National Gallery of Liguria and the Diocesan Museums of Albenga and Chiavari)\, and edited catalogs of exhibitions and proceedings of scientific conferences she promoted.\nSince 1996 she has been president of the jury of the national award “Ark of Art. Rotondi Award to the saviors of art” (legally recognized by the state in 2009). She is the author of numerous publications on medieval and modern art topics\, including the scientific catalog of the art collections of the Cassa di Risparmio di Genova e Imperia. She currently collaborates with the UniAuser People’s University of Genoa. URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/enigma-tiziano-by-chiara-montani/ LOCATION:Genova CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2024/03/EnigmaTiziano_invito_1920x1080.jpeg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20240405T180000 DTEND;TZID=Europe/Rome:20240505T180000 DTSTAMP:20260428T043506 CREATED:20240320T153634Z LAST-MODIFIED:20240614T170000Z UID:46085-1712340000-1714932000@www.rossettiartecontemporanea.it SUMMARY:L'Io e L'Es by Evita Andújar DESCRIPTION:On Friday\, April 5\, 2024\, the exhibition spaces of Rossetti Gallery will host the opening of “L’Io e L’Es\,” the new exhibition of Andalusian artist Evita Andújar. Three years after the great success of the last exhibition at Galleria Rossetti\, the artist is back to Genoa\, presenting unreleased paintings\, created especially for the third exhibition that the gallery dedicates to the artist.\n\nThe exhibition will open to the public on Friday\, April 05\, from 6 p.m. It will be possible to visit the exhibition until May 05\, 2024\, during gallery opening hours.\n\nThe focus of Andújar’s research revolves around a personal representation of the instances theorized by the world’s most influential psychoanalyst\, Sigmund Freud: the artist skillfully transposes and reconciles on canvas the relationship between the “Ego”\, the conscious component of our personality\, the one with which we present ourselves to the world\, and the “Id”\, our deepest part\, the set of hidden drives and instincts.\n\nCRITICAL TEXT OF THE EXHIBITION L’IO e L’ES OF EVITA ANDUJAR\n\n“At this crucial moment in history for the history of images\, at the dawn of an era where some would like to leave to machines and artificial intelligence the task to build the iconographic baggage of our future\, painting\, paradoxically\, would perhaps seem to be the medium best suited to react to such a situation and to provide unprecedented response and reflection capacity in the face of the iconic cocoon that envelops our lives immersed in digital networks.\n\n\nEvita Andújar rightfully belongs to the recent generation of painters who deal with an innovative and coherent way with the visual and intellectual stimuli coming from the web and\, in particular\, from social networks\, working with coherence and rigor on some central issues that mark the landscape of our present and what will be our future.\n\nIt is very interesting\, moreover\, to note that in this new context of the visual arts there are many female painters working through visions that differ in their complexity and incisive force.\n\n\n\nMoreover\, Andújar has the advantage of a rigorous work structured on a solid stylistic ability derived from her long experience in the field of restoration (often on very important construction sites) and from her studies made in Spain with Antonio López García\, one of the greatest living painters\, of whom she does not seem to be an epigone but a continuation of reflections on the active dialogue between painting and photography.\n\n\n\nNot surprisingly\, the artist makes use of a pictorial drafting that manages to combine exactness with rapidity\, fluidity with the clarity of the image\, effectively concentrating the architecture and chromatic pulsation of her paintings\, always declined with a synthetic ability to capture the load-bearing elements of the coloristic drafting that builds the form in a sharp and vibrant way.\n\n\n\nAndújar thus uses her talent for her ready-made research on the universe of images that accumulate on the web\, carefully choosing photographs\, taken especially from Instagram\, of unknown girls that she then manipulates and transforms with brushes and color on canvas.\n\nThe painter cleverly challenges the banality of certain images and transforms them into an insight that has the power reserved for works of art and their special ability to penetrate and interpret the multifaceted realities of the world we share.\n\n\n\nIn fact\, these paintings are marked by an apparent chromatic happiness\, linked to their sources of origin\, which Andújar manages to coagulate in her translucent pictorial textures that\, however\, leave a clear sense of unease\, a jarring element that undermines the lightness and narcissism of the (self)representations that follow one another on Instagram.\n\nTherefore\, the artist deliberately steals the selfies of the girls on her canvases\, but this operation\, however\, is not one of simple and trivial plundering\, and her painting achieves the purpose of giving a contemporary dimension to the age-old theme of the double\, of a possible alter ego that overlaps with our personality.\n\n\n\nIn fact\, the young women in these works are caught in their private and doubled dimension\, as if in a mirroring or\, rather\, a reverberation of their face\, which echoes in the works as a kind of (intended) disturbance of that perfection that the original photos would have wanted to convey.\n\nThe meaning of this research thus seems to provide shape and meaning to the splitting of our lives\, suspended between reality and virtuality\, in a fusion where the (supposed?) truth of “real life” often seems to get lost in the space of the net and where the many possible realities increase out of all proportion in an infinite labyrinth of representations.\n\n\n\nThe Self and the Shadow then stand side by side in the theater of stolen and manipulated self-portraits\, personalities blur and multiply prompting us to wonder about the identities and otherness of these pictures\, whether the people observing us really exist or are just holograms projected in social networks.\n\nAndújar’s work achieves a further and deeper result\, however\, that of revealing the enigmas behind stolen selfies\, by giving a dignity and visual presence to images otherwise destined to dissipate in a few minutes\, slowing down the time of the pixels that form those photos by enclosing them in the fluid body of painting\, transforming the ephemeral into the lasting and discovering the secret and private poetry of minimal everyday existences.”\n\nText by Lorenzo Canova URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/lio-e-les-by-evita-andujar/ LOCATION:Genova CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2024/04/image0-21-1.jpeg ORGANIZER;CN="ROSSETTI arte contemporanea":MAILTO:info@rossettiartecontemporanea.it END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20240311T110000 DTEND;TZID=Europe/Rome:20240314T200000 DTSTAMP:20260428T043506 CREATED:20240301T153307Z LAST-MODIFIED:20240614T170133Z UID:45751-1710154800-1710446400@www.rossettiartecontemporanea.it SUMMARY:CLIA International Expo DESCRIPTION:From March 11-14\, 2024\, the Cruise Line International Association (CLIA) will be hosted in Genoa\, Italy\, for a world premiere of its annual meeting and exposition dedicated to the cruise industry. The event\, called CLIA Cruise Week\, will consist of a week of activities including numerous events including the association’s annual European Summit. \nRossetti Arte Contemporanea Gallery\, in collaboration with De Jorio Design architectural firm\, will set up an exhibition within the VIP Lounge Area and VIP Lunch Area. \nNew works by Paolo Ceribelli\, Gianni Lucchesi\, Tom Porta will be exhibited\, and\, for the occasion\, there will be a preview of the new unreleased series “BLUESERIES” by Silvio Porzionato\, to which the gallery will dedicate a special presentation afterwards. With this new cycle the artist unexpectedly carries forward his research on the energy of color that determines the charge of the figures\, culminating in the homage to the majesty of some subjects of the past. \n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/clia-international-expo/ LOCATION:Fiera di Genova – Padiglione Blu\, Via dei Pescatori\, 33\, Genova\, (GE)\, 16128\, Italia CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2024/03/Clia2.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20240307T180000 DTEND;TZID=Europe/Rome:20240407T180000 DTSTAMP:20260428T043506 CREATED:20240228T081049Z LAST-MODIFIED:20240614T170232Z UID:45556-1709834400-1712512800@www.rossettiartecontemporanea.it SUMMARY:Presenze Invisibili. Encounter between Art and Architecture - Exhibition by Andrea Savazzi and Gianni Lucchesi DESCRIPTION:With different interpretations and techniques\, artists Andrea Savazzi and Gianni Lucchesi investigate the attitude of man and his “being” in the world.\nIn Savazzi’s works\, the human figure never appears but is always the protagonist. The artist transposes on canvas imposing structures that have been built\, lived and\, finally\, abandoned. Spaces where nature reclaims what belongs to it\, silent places that talk about the cycle of life\, witnesses to the passage of women\, men and thousands of stories.\nOn the contrary\, in Gianni Lucchesi’s works\, the human figure appears as a starting point to trigger a reflection between man and his inner complexities.\nOn his canvases\, herds of deer contrast with disorderly crowds of people\, showing us a different relationship between their fellow humans and the environment around us. His minimal and rigorous sculptures\, on the other hand\, report small human figures who\, seated or poised\, observe the underlying raw materials representing their interiority and which\, therefore\, are deliberately larger in size and disproportionate to them.\nThe parallel investigation of the two artists addresses equal themes with very different eyes\, inviting us to believe in our perceptions so as not to remain blind to what we do not see\, to notice the silent presences that surround us\, or possess us\, in our daily lives.\n\n\n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/presenze-invisibili-encounter-between-art-and-architecture-exhibition-by-andrea-savazzi-and-gianni-lucchesi/ LOCATION:De Jorio Design Swiss\, Via Silvio Calloni 1/a\, Lugano\, 6900\, Svizzera CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2024/02/evento-Presenze-Invisibili.-Incontro-tra-arte-e-architettura-–-Esposizione-di-Andrea-Savazzi-e-Gianni-Lucchesi-Rossetti-arte-contemporanea.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240216 DTEND;VALUE=DATE:20240219 DTSTAMP:20260428T043506 CREATED:20240129T120652Z LAST-MODIFIED:20240129T120652Z UID:46350-1708041600-1708300799@www.rossettiartecontemporanea.it SUMMARY:ARTEGENOVA 2024 DESCRIPTION:Rossetti Arte Contemporanea will be present at the 18th edition of ArteGenova\, which will take place Feb. 16-18\, 2024 at the Jean Nouvel Pavilion (Blue Pavilion) at the Genoa Fair.\n\nFour days under the banner of culture and art expected every year by operators\, visitors\, investors and collectors from all over Italy but also from abroad. More than 150 galleries will offer all enthusiasts an anthology of world-class works.\n\n\nThe works of all our artists will be on display\, and we look forward to seeing you at booth 61 to show you the latest works.\n\nWe are pleased to give our contacts and collectors free tickets to the Arte Genova fair.\n\n\n\n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/artegenova-2024/ LOCATION:Genova CATEGORIES:Art Fair ATTACH;FMTTYPE=image/png:https://www.rossettiartecontemporanea.it/wp-content/uploads/2024/01/immaggg.png END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20231205 DTEND;VALUE=DATE:20231206 DTSTAMP:20260428T043506 CREATED:20240126T174231Z LAST-MODIFIED:20240126T174231Z UID:46351-1701734400-1701820799@www.rossettiartecontemporanea.it SUMMARY:Opening De Jorio Design Swiss DESCRIPTION:A new office also in Canton Ticino for the international leader in interior design for ships and yachts.\n\nLugano -De Jorio Design International (DJDI) now has a Swiss subsidiary\, De Jorio Design Swiss SA\, and thus an office in Canton Ticino that joins the historic one in Piazza della Vittoria in Genoa\, where the founder\, the late Arch. Giuseppe De Jorio\, had started his prestigious ‘trade’ as a naval architect of reference for the passenger shipping section in 1956.\n\n\nThe prestigious company\, a leader in high-level creative design applied in the naval field\, in nearly 70 years of activity has brought the imprint of Italian style and quality to the seas of the world.\n\nThe collaboration between De Jorio Design and Galleria Studio Rossetti was born on the occasion of the opening of the new studio in Lugano.\nArticle in Italian on Ship2Shore pdf – page 52 – by Gian Luigi Trucco\n\n\n\n  \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/opening-de-jorio-design-swiss/ LOCATION:De Jorio Design Swiss\, Via Silvio Calloni 1/a\, Lugano\, 6900\, Svizzera CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2023/12/blog-Inaugurazione-De-Jorio-Design-Swiss-Galleria-studio-Rossetti-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20231122T183000 DTEND;TZID=Europe/Rome:20231122T183000 DTSTAMP:20260428T043506 CREATED:20240228T081057Z LAST-MODIFIED:20240228T081057Z UID:45683-1700677800-1700677800@www.rossettiartecontemporanea.it SUMMARY:“La donna che salvò la bellezza” by Sara Rattaro DESCRIPTION:A new event organized by the girls of TheMeltinPop\, the literary blog that is passionately devoted to all cultural issues related to society and the local area. \nOn Wednesday\, November 22 at 6:30 p.m.\, in the spaces of our gallery will be presented “La donna che salvò la bellezza” the new book by Sara Rattaro. \nAn intense and exciting novel that tells the story of Fernanda Wittgens\, the first female director of the Pinacoteca di Brera\, who courageously defied Nazi-Fascism and saved not only priceless works\, but also human lives. \nThe founders of the blog\, Antonella Grandicelli and Arianna Destito Maffeo\, will introduce the discussion\, along with Lucia Caponetto\, who will make this meeting even more compelling with her overwhelming live readings.\n\n\n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/la-donna-che-salvo-la-bellezza-by-sara-rattaro/ LOCATION:Genova CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2024/02/la-donna-che-salvo-la-bellezza.jpg ORGANIZER;CN="TheMeltinpop":MAILTO:redazionethemeltinpop@gmail.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20231031T180000 DTEND;TZID=Europe/Rome:20231031T193000 DTSTAMP:20260428T043506 CREATED:20240126T173735Z LAST-MODIFIED:20240426T144046Z UID:46342-1698775200-1698780600@www.rossettiartecontemporanea.it SUMMARY:A dialogue with artist Gianni Lucchesi DESCRIPTION:A very special meeting will take place on Tuesday\, October 31 at 6 p.m. Artist Gianni Lucchesi and curator Alessandra Redaelli will be present at the gallery. \nOn this occasion\, we will have the opportunity to listen to arguments and comparisons regarding all the issues addressed by the artist\, but above all to ask the questions that have intrigued us about his work and his artistic thought. \n“With the irony and elegant essentiality that has always distinguished his stylistic signature\, Lucchesi contrasts the behavior of man and that of the animal\, their opposite reactions and their different relationship to their fellow creatures. The goal is to stimulate critical reflection on the part of the observer regarding the human-environment relationship and the perception of himself with and in the surrounding space. Lucchesi does not give lectures or answers. He points. At most he asks a few questions. But the questions are the kind that burn.” \nWe look forward to seeing you in the gallery! \nWATCH THE VIDEO OF THE EVENT \n \n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/a-dialogue-with-artist-gianni-lucchesi/ LOCATION:Genova CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2024/01/Progetto-senza-titolo.jpg ORGANIZER;CN="Galleria Studio Rossetti":MAILTO:info@rossettiartecontemporanea.it END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20231018T100000 DTEND;TZID=Europe/Rome:20231022T190000 DTSTAMP:20260428T043506 CREATED:20240228T081107Z LAST-MODIFIED:20240228T081107Z UID:45682-1697623200-1698001200@www.rossettiartecontemporanea.it SUMMARY:Genova BookPop Festival 2023 DESCRIPTION:From October 18 to 22\, 2023\, the Genova BookPop Festival will take place in the gallery Rossetti Arte Contemporanea\, an event\, conceived by the blog Themeltinpop with writer Sara Rattaro\, that will host authors\, publishers\, journalists\, creative writing and expressive reading teachers\, with the intention of offering our city\, recognized as Book Capital 2023 by the Ministry of Culture\, an event entirely dedicated to books and readers. \nGenoa BookPop Festival will be a cultural review with a program full of meetings\, debates\, workshops and moments of conviviality. An open space for sharing\, an opportunity to meet\, be together\, get to know each other.\nThe festival will take place in the heart of Genoa\, touching on three fascinating places – the historic center with the Rossetti Arte Contemporanea\, the space of Giardini Luzzati and Palazzo Ducale. The event has been realized in collaboration with CDM Lab\, an association that deals with all-round culture. \nDownload\n\n\n\n  \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/genova-bookpop-festival-2023/ LOCATION:Genova CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2024/02/evento-Genova-BookPop-Festival-2023-Rossetti-arte-contemporanea-1.jpg ORGANIZER;CN="TheMeltinpop":MAILTO:redazionethemeltinpop@gmail.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20231005T210000 DTEND;TZID=Europe/Rome:20231105T200000 DTSTAMP:20260428T043506 CREATED:20231005T113115Z LAST-MODIFIED:20240426T144930Z UID:43987-1696539600-1699214400@www.rossettiartecontemporanea.it SUMMARY:“Houston\, che sfortuna” by Gianni Lucchesi DESCRIPTION:Critical text by Alessandra Redaelli \n\n\n\nGianni Lucchesi’s investigation has always revolved around our feeling and our not (wanting) to feel\, looking in and out ourselves. Ever since he was moving in the realm of lyrical\, emotional abstract. Then something happens in the artist’s life. One of those terrible\, illuminating events that turns perspectives upside down. And suddenly his language becomes figurative.\nRelationships with others and the environment are the landscape on which his figures move\, small but defined in the detail of dress. And the dress is what one wears to go to a “serious” job\, perhaps behind a desk\, immersed inside a normality where adequacy touches the limits of alienation. Little characters who are man as it is humanity; who tell us about their own inner conflicts and the dismay of the outside.In this narrative of a humanity lost within itself\, too busy observing the world blindfolded to realize where its manner is taking it\, there is no judgment or moral lesson: rather a photograph of a distress\, always conducted with an eye to beauty\, within warm spaces\, on vivid surfaces cut by light.\nThe golfer\, alone\, bends over the ball in the center of a space annihilated\, destroyed\, unequivocally traversed by something inemendable\, pretending that there is a green meadow around him: a blindness that has the flavor of denial\, even more glaring when one looks at how the deer herd moves\, on the same burned surface. \nTrue to an economy of narrative that goes hand in hand with chromatic minimalism\, Lucchesi for long time has chosen a single animal\, the deer precisely\, to serve as a counterbalance to the human figure. Majestic\, elusive\, imbued with magical symbolism of rebirth\, it embodies pure instinct for the artist. While man is lost in his illusion\, the animal forms a pack around him and seeks a way of escape.\nThe hare in this new project comes to complete a very precise path: the unerring instinct is tinged with poetry and becomes creative imagination here. In a leap-just as happens in Lucio Corsi’s song\, a verse of which serves as the exhibition’s title-she has arrived on the moon.\nA revolutionary\, titanic gesture: the animal has realized that the planet is imploding and so it goes away\, elsewhere. It does not think about how to get there\, what it leaves behind\, how it will feed itself\, or even how it will breathe. Its instincts tell to go\, and it goes.\n\n\n\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n  \n  \n  \n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/houston-che-sfortuna-by-gianni-lucchesi/ LOCATION:Genova CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2023/10/mostra-Houston-che-sfortuna-di-Gianni-Lucchesi-Studio-Rossetti-Arte-Contemporanea-1.jpg ORGANIZER;CN="Alessandra Redaelli":MAILTO:info@rossettiartecontemporanea.it END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20231005T200000 DTEND;TZID=Europe/Rome:20231105T190000 DTSTAMP:20260428T043506 CREATED:20240115T135403Z LAST-MODIFIED:20240426T152232Z UID:46347-1696536000-1699210800@www.rossettiartecontemporanea.it SUMMARY:OPERAE by Gianni Lucchesi DESCRIPTION:Rossetti Arte Contemporanea presents Operae by Gianni Lucchesi. \nThe installation is 13 meters tall and consists of 12 concrete cubes\, on top of which sits a life-sized sculpture of a seated man gazing towards the horizon. \nThe interpretation. Knowledge\, wisdom\, and construction draw strength from an interplay between past\, present\, and future.The man lives in the present\, open to receiving ail the stimuli offered by the surrounding environment in harmony with nature. He contemplates the future ahead\, supported by a column symbolizing the value and importance of one’s intellect in history\, seeking the laws that govern the harmony of the universe. \nThe Fibonacci sequence. Observing the sculpture from the apex\, that is\, from the block on which the man is seated\, the Fibonacci sequence marks the rotation of the cubes\, which\, stacked one on top of the other\, support the man in a contemplative posture. They undergo a slight twist\, a rotation of a few degrees\, precisely realizing the golden sequence 1\,1\,2\,3\,5. Metaphorically\, the construction is not anchored to the ground by gravity; on the contrary\, it is supported by the intellect of man. \nGiordano Bruno. Across the entire length of the column\, the hermetic seals of Giordano Bruno are impressed in gold\, with decreasing intensity from top to bottom.Through imaginative effort\, they express the forms of nature through intuition\, capable of uniting our true essence with the infinite universe. \nA school of great artists\, a team of great companies. \nThe sculpture “Operae“ by Gianni Lucchesi is a project developed in collaboration with Carlo Alberto Arzelà\, Julia Caracciolo\, Sandra Bozzarelli\, and the Hangar studio. \nThe artist worked with the company Giannoni & Santoni to develop both the structural solutions of the work and the aesthetic finishes of the surfaces of the concrete cubes\, thanks to the use of the company’s modern technologies combined with craftsmanship of high artistic value. The artist shaped and patinated the resin sculpture in collaboration with the company Poliart\, a leader in 3D moderation of expanded polystyrene. Filotto Srl designed and produced the internal and external lighting of the work. Lo Studio i Ingegneria e Dintorni in Pisa designed the statics of the work.\nVisualizza il video\n\n\n\n  \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/operae-by-gianni-lucchesi/ LOCATION:Piazza De Ferrari\, Piazza De Ferrari\, Genova\, (GE)\, 16121\, Italia CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2024/01/DSC9469.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230525T200000 DTEND;TZID=Europe/Rome:20230625T210000 DTSTAMP:20260428T043506 CREATED:20230524T112125Z LAST-MODIFIED:20230524T112125Z UID:43992-1685044800-1687726800@www.rossettiartecontemporanea.it SUMMARY:“ERASED” by Paolo Ceribelli DESCRIPTION:On the occasion of the exhibition “Erased\,” Paolo Ceribelli showcases the evolution of his personal investigation to which\, for years now\, he has dedicated himself with painstaking dedication. Since the very beginning of his artistic research\, Ceribelli’s expression was originally focused on the iconography-symbol of the Plastic Soldier (2006) and later on the Anti-Tank Barricade (2016)\, both universally recognizable figures that can be traced back to war imagery. \nIn the current cycle\, the artist proposes a key interpretation aimed at the distortion of the object itself: the goal is to overturn the observer’s perception to unhinge the conventional meaning attributed to a symbol\, in order to develop a personal analysis over the complexity of human nature. \nFor this purpose\, the icons of war are estranged and decontextualised. The use of colour changes the perception of the object itself and through the methodical and serial repetition of forms\, either obsessively ordered or deliberately disordered\, the customary idea that they represent is erased. \nWe are witnessing the birth of a holistic representation\, where notions of peace and war coexist in a complex totality far more significant than what the individual forms represents alone. \nThe Anti-Tank Barricade\, well known as “Cheval-de-Frise”\, is a pivotal symbol\, which has been reproduced over the years in different sizes\, colour and materials. A classic emblem of the limit beyond which we are able to push ourselves\, facing a considerable degree of difficulty. In Ceribelli’s work\, however\, the anti-tank barricades\, in the artwork “War and Peace Structure”\, are displayed in a collective tangle where they become a pile that seems to have been accumulated and abandoned. As inert\, once perceived in the complexity of their whole\, they lose their original function as limit and barrier. We no longer consider them as obstacles; on the contrary\, the artist creates a counterpoint to our sensibility and the barricades become a symbol of surrender and of peace. \nThe artist brings together a serial repetition with the symbolism of the circle figure\, also fundamental to his personal poetics. The circular figure is\, by custom\, the emblematic form of cyclical\, infinite and perfect time. But the mathematical constant that gives dimension to this shape is pi\, an irrational number with infinite decimal digits that never repeat themselves. A circle\, seemingly so perfect and unchanging\, is a great container that gathers infinite possibilities of development and interpretation\, without a beginning or an end.\nThe circle is a symbolic figure of a subjective feeling that can represent two opposing actions\, the centripetal and the centrifugal force\, which are correspondingly images of protection and estrangement. \nThe work “Untitled” also offers a deeply personal point of view to the viewers. The method chosen by the artist\, acrylic stamping on paper\, is a diptych whose parts are mirrored and contrasting. On the other hand\, the lightness of the paper must support the heavy references applied by the stamped subjects: the “Cheval-de-Frise”. This work refers to the principle of Chinese philosophy of Taoism\, which highlights the essentiality of balance between opposing and complementary forces. Like the forces of war and peace that live within us\, the artist invites us to embrace responsibility and consciousness. \nPaolo Ceribelli does not base his artistic research on a militaristic notion\, nor on his intent to impose an overarching position. The critical analysis of the self and one’s own inner wars is objective and constructive. In this exhibition\, the artist takes a further step in his research and self-analysis\, strips away his fears and he materialises his inner struggles. The need and desire to go beyond one’s limit is perceived in the stampings of the work “Cloud\,” in which Ceribelli enacts the liberating gesture that approaches disorder and abstraction. He is finally free to break the rigid mechanisms of stubborn perfection that have always been part of his poetics. \nThe inclination to war and the desire for peace are forces that coexist in human beings and they condition our interpretation of the surrounding reality. In the exhibition “Erased”\, we witness the erasure of customs to make room for our perceptions. This results in profound personal searches and in the awareness of our inner struggles\, which are the starting point for self-improvement. As a matter of fact\, it is the viewer who decides to consider what may seem like an unequivocal message as a declaration of war or peace.\n\n\n\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/erased-by-paolo-ceribelli/ LOCATION:Genova CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2023/05/mostra-ERASED-di-Paolo-Ceribelli-Studio-Rossetti-Arte-Contemporanea.jpg ORGANIZER;CN="Alessandra Redaelli":MAILTO:info@rossettiartecontemporanea.it END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230413T200000 DTEND;TZID=Europe/Rome:20230413T213000 DTSTAMP:20260428T043506 CREATED:20240115T140217Z LAST-MODIFIED:20240115T140217Z UID:46349-1681416000-1681421400@www.rossettiartecontemporanea.it SUMMARY:“Materia Abscondit\, Mulier Revelat” – Gala Eluard Dali\, the muse of surrealism DESCRIPTION:On the occasion of the exhibition “Materia abscondit\,” a journey into the feminine revealed through the work of two interesting contemporary artists\, the cultural blog The Meltin Pop – in collaboration with the Studio Rossetti Art Gallery and L’Amico Ritrovato bookstore in Genoa – presents the event “MATERIA ABSCONDIT\, MULIER REVELAT” to celebrate the one who was the true muse of surrealism\, Gala Éluard Dali.\n\nHelena Devulina Diakonoff\, known as Gala Éluard Dali\, was a model\, artist\, art dealer\, wife of the poet Éluard\, lover of Max Ernst\, and later Dali’s wife and muse. Gala is the ‘female’ representation of the art world of the first half of the 20th century.  In her brilliance and ability to reveal the talents of the men to whom she dedicated herself\, Gala Éluard Dali was recounted by the pen of journalist and writer Anna Di Cagno\, who chronicled her life in the fictionalized biography “Gala Éluard Dali. Per interposti uomini” published by Morellini Editore.\n\n\n\n\n\n\nOn Thursday\, April 13\, 2023 at 6 p.m. Arianna Destito Maffeo and Antonella Grandicelli will meet Anna Di Cagno at the Studio Rossetti Art Gallery at 33r Via Chiabrera in Genoa.\n\nFree admission while places last (no reservations required).\n  \nApril 1975\, Pùbol\, Gerona. Gala Éluard Dali retires for a week in solitude to the castle her second husband\, Salvador Dali\, gave her. One night a girl knocks on her door. Thus opens a causal encounter that takes place inside what Dali considered his greatest masterpiece. In each room is a glimpse into the incredible and mythical life of Surrealism’s most celebrated Muse; a woman who marked an era\, and inspired inspired the cultural movement’s most famous poet and artist.\n\n\n\n  \n\n \n \n \n \n \n \n \n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/materia-abscondit-mulier-revelat-gala-eluard-dali-the-muse-of-surrealism/ LOCATION:Genova CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2023/04/blog-Materia-Abscondit-Mulier-Revelat-–-Gala-Eluard-Dali-la-musa-del-surrealismo-Galleria-Studio-Rossetti.jpg ORGANIZER;CN="TheMeltinpop":MAILTO:redazionethemeltinpop@gmail.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230330T180000 DTEND;TZID=Europe/Rome:20230330T180000 DTSTAMP:20260428T043506 CREATED:20240226T132500Z LAST-MODIFIED:20240426T153140Z UID:45679-1680199200-1680199200@www.rossettiartecontemporanea.it SUMMARY:Finance and Art DESCRIPTION:On the occasion of the Finance and Art event\, Zurich Bank hosted Rossetti Arte Contemporanea to set up a group exhibition of the gallery’s artists in the spaces of Terrazza Colombo and invited the gallery owner to talk about art and finance.\n\n\n\n  \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/finance-and-art/ LOCATION:Terrazza Colombo\, via Gabriele D’Annunzio\, 2\, Genova\, (GE)\, 16121\, Italia CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2024/02/evento-Finanza-e-Arte-Rossetti-arte-contemporanea.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230323T190000 DTEND;TZID=Europe/Rome:20230423T210000 DTSTAMP:20260428T043506 CREATED:20231115T131300Z LAST-MODIFIED:20240124T133418Z UID:43993-1679598000-1682283600@www.rossettiartecontemporanea.it SUMMARY:“Materia Abscondit” by Elias Naman and Michela Crisostomi DESCRIPTION:Portions of bodies\, fragments of faces\, details of sinuous backs\, intertwined hands\, interrupted busts. These are the elements conceived by the artistic imagination of two distinct artists from different backgrounds in education\, origin\, research and artistic expression. A sculptor and a painter are merged in the exhibition “Materia Abscondit.” \nElias Naman\, a sculptor of Syrian origin who works only with his bare hands and a chisel\, transforming blocks of Carrara marble into the noblest stone whose history echoes through the centuries. Alternatively\, Michela Crisostomi is a skilled painter of Abruzzese origin\, who paints her canvases as if they were ancient walls\, covering them with thick layers of mortar\, a material that was used for the creation of frescoes\, and applying metal residues and inscriptions. \nThe primordial inspiration that unites these two artists is revealed in the constant dialogue between past and present\, in a relationship between tradition and modernity that leads the viewer to transcendent imagery. Both artists have assimilated the values of masters of the past and\, through the ideal of beauty inherited from classical antiquity\, create a dialogue with the contemporary world made of zooms and rapid framing. \nAlthough made with different methods\, the work of the two artists is intertwined and conditioned by the material they work with: marble blocks and mortar on canvas. These elements inspire the artists to continuously develop ideas that are only tangible with the execution of the work.\n Starting from a datum that is legible to everyone\, but which not everyone sees\, they lead us to a level beyond the ordinary. \nFaced with a “mute” matter\, their sensibility is able to lead them back to a memory or a feeling to which they give form in a bust\, a back\, a breast. \nNaman makes no drawing or model but indulges in his unusual affinity with the cold material to reveal what it conceals. Crisostomi acts on the canvases to transform them into walls from which trapped figures emerge.\nThe works are conceived as if they were found: “Materia Abscondit” is\, in fact\, the exhibition dedicated to rediscovery. \nFrom stone and mortar\, universal figures emerge; figures lightened by layers\, freed from the veil of illusions; figures that become emblems of introspection and self-awareness; figures once again able to see clearly their own only true essence. \nThe works on display speak to us of the need to tear away “the veil\,” to find oneself and reveal oneself.\n\n\n\n  \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/materia-abscondit-by-elias-naman-and-michela-crisostomi/ LOCATION:Genova CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2023/11/mostra-Materia-Abscondit-di-Michela-Crisostomi-e-Elias-Naman-Studio-Rossetti-Arte-Contemporanea.jpg ORGANIZER;CN="Alessandra Redaelli":MAILTO:info@rossettiartecontemporanea.it END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230223T193000 DTEND;TZID=Europe/Rome:20230223T203000 DTSTAMP:20260428T043506 CREATED:20240115T141314Z LAST-MODIFIED:20240115T141314Z UID:46352-1677180600-1677184200@www.rossettiartecontemporanea.it SUMMARY:Presentation of “The book” by Silvio Porzionato DESCRIPTION:The first major\, unpublished and comprehensive publishing work dedicated to the artist Silvio Porzionato.\nA hardcover volume that is divided into 3 sections for no less than 264 full-color pages.\nStories\, reflections\, interviews and a catalog of works\, all in dual language\, Italian and English. “What a fantastic spectacle life is! What an intriguing web of stories and people. And what a precious privilege it would be to be able to relive it played out on the stage of a small theater\, or projected on the big screen. What a wonderful journey\, to be able to observe one’s existence from the outside\, review it and enjoy it as if it were a play of incredible realism.” This is how Silvio Porzionato begins his monographic catalog published by iemme edizioni (Naples\, 2022). An editorial project that Alberto Tondella\, the volume’s editor\, describes as follows: “If life is a journey\, this volume is a stage\, a stop to take two photos\, have a sip of water and look back to observe how far one has come. Silvio’s\, like so many artists’ lives\, is an existence lived in a rush\, with his foot pressed on the accelerator. It is frenzy\, it is the need to finish one work in order to start another\, it is wheezing about not having enough time to be able to accomplish all that the soul can imagine.\nthe book is characterized by three souls. The first is an account of Silvio’s artistic life\, presented through images that speak of anxieties\, joys\, and goals achieved and lost. The second part is a chat among friends over a glass of wine. The third is an important collection of Silvio’s most significant works.” \nThe book presentation will take place on Thursday\, Feb. 23\, at 6:30 p.m. in the presence of artist Silvio Porzionato and author Alberto Tondella. \nA me piace dipingere la carne\,\nmi piace dare luce agli occhi\,\nadoro tutte le sfumature di colori che ci sono sulla carne.\n(S.P.) \n  \nVisualizza video \n\n\n\n\n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/presentation-of-the-book-by-silvio-porzionato/ LOCATION:Genova CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2023/10/blog-Presentazione-del-libro-the-book-di-Silvio-Porzionato-Galleria-Studio-Rossetti.jpg ORGANIZER;CN="Galleria Studio Rossetti":MAILTO:info@rossettiartecontemporanea.it END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20221215T183000 DTEND;TZID=Europe/Rome:20221215T200000 DTSTAMP:20260428T043506 CREATED:20240115T133940Z LAST-MODIFIED:20240426T155517Z UID:46354-1671129000-1671134400@www.rossettiartecontemporanea.it SUMMARY:What are the 12 prime numbers in art history? DESCRIPTION:To this question\, historian\, critic and art appraiser Armando Battelli responded without hesitation that the great artists in history\, those who opened the doors to new movements and enabled the development of subsequent currents\, are few and easily identifiable.\n\nThe new “Gallery Encounter” was born with the desire to give rise to a debate\, a moment of sharing and also of contestation\, an invitation to all participants to formulate their own “formation” in order to give rise to a heated discussion on various ideas.\n\nWatch video 01_Giotto\nWatch video 02_Masaccio\nWatch video 03_Michelangelo\nWatch video 04_Caravaggio\nWatch video 05_Canaletto\nWatch video 06_Manet\nWatch video 07_Cezanne\nWatch video 08_Seurat\nWatch video 09_Picasso\nWatch video 10_Kandinskij\nWatch video 11_Duchamp\nWatch video 12_Andy Wahrol\n\n\n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/what-are-the-12-prime-numbers-in-art-history/ LOCATION:Genova CATEGORIES:Event ATTACH;FMTTYPE=image/png:https://www.rossettiartecontemporanea.it/wp-content/uploads/2024/01/LOPERA-E-LO-SPECCHIO-DELLARTISTA-9.png ORGANIZER;CN="Galleria Studio Rossetti":MAILTO:info@rossettiartecontemporanea.it END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20221020T200000 DTEND;TZID=Europe/Rome:20221020T213000 DTSTAMP:20260428T043506 CREATED:20240115T131613Z LAST-MODIFIED:20240115T131613Z UID:46353-1666296000-1666301400@www.rossettiartecontemporanea.it SUMMARY:POP. A cultural and artistic revolution DESCRIPTION:Professor and historian Daniele Grosso reveals through the most significant images the deep meaning and origins of American POP art and the Italian experience\, selecting repertoire readings to be performed by actor Davide Quillico\, along with an unprecedented performance on the controversial figure of Andy Warhol.\nA multidisciplinary and multifaceted cultural event\, we look forward to seeing you on Thursday\, October 20\, 2022 at 6 p.m. in the spaces of Rossetti Underground.\n\n\n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/pop-a-cultural-and-artistic-revolution/ LOCATION:Rossetti Underground\, Via Chiabrera\, 7\, Genova\, (GE)\, 16123\, Italia CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2022/10/blog-POP-–-una-rivoluzione-culturale-ed-artistica-Galleria-Studio-Rossetti.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20221006T200000 DTEND;TZID=Europe/Rome:20221105T200000 DTSTAMP:20260428T043506 CREATED:20231115T132527Z LAST-MODIFIED:20231115T132527Z UID:43995-1665086400-1667678400@www.rossettiartecontemporanea.it SUMMARY:“Melting Point” by Andrea Savazzi DESCRIPTION:Ancient and modern\, decay and rebirth\, nature and urbanization\, movement and immutability.\nThese are the topics addressed in “MELTING POINT”\, an exhibition by Andrea Savazzi.\nThe vast environments represented by the artist are abandoned places in a surreal but apparent state of freezing.\nA vital glow erupts.\nThey are constructions in which matter\, now apparently worn and crumbled by the passing of time\, retains a strong energy. Where nature\, alive in silent movement\, prevails and regains its own spaces.\nPlaces of a past that want to be the protagonist of the present too\, undergoing the influences of contemporaneity.\nPlaces that belong to the industrial era and take us back to that generation that lived through the post-World War II economic boom. The people who witnessed the moon landing\, a pivotal moment which set the country on the road to modernization.\nHowever\, nowadays they no longer represent the present in which we live.\nThese iron and concrete giants become the unwitting “shelters” where new generations furtively express their thoughts and feelings\, anxieties and fears. \nAn abandoned yet still existing past combines with modernity and allows for other manifestations to revive through the lively expression of nature and contemporary street art.\nAndrea Savazzi succeeds in bringing together all these elements of equal value and authority with great skill. Savazzi manages to bring them back to the canvas\, showing evident artistic maturity.\nThe image\, in his earlier works deliberately blurred\, is now powerful and metaphysical.\nMoisture stains on a wall\, a face or a symbol\, small alterations that never disturb the composition and urge the viewer to identify the ultimate and absolute essence of reality beyond its relative determinations.\nSavazzi’s canvases become a melting point of two very different moments and eras.\nOne is about to run out and the other to take over.\nThey live and coexist in the present and have become complementary.\nBeauty and harmony arise precisely from this perfect and spontaneous balance.\nA balance of contrasts\, destined to change and evolve. \nVirtual Tour\n\n\n\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/melting-point-by-andrea-savazzi/ LOCATION:Genova CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2023/11/mostra-Melting-Point-di-Andrea-Savazzi-Studio-Rossetti-Arte-Contemporanea.jpg ORGANIZER;CN="Alessandra Redaelli":MAILTO:info@rossettiartecontemporanea.it END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20220625T200000 DTEND;TZID=Europe/Rome:20220625T213000 DTSTAMP:20260428T043506 CREATED:20240116T083623Z LAST-MODIFIED:20240426T155953Z UID:46360-1656187200-1656192600@www.rossettiartecontemporanea.it SUMMARY:Ceci n’est pas Pop Art DESCRIPTION:From American Pop Art to European Pop Art: it often happens to juxtapose artists and images with this current.\n\nBut what is Pop Art\, what concepts does it encompass? What can be considered Pop and what cannot?\n\nThe late 1950s and early 1960s saw the birth of Pop Art\, a movement that was an expression of consumer society and mass communication.\n\nAccording to some\, Pop Art-popular art-must be reproducible and therefore for everyone\, it must represent the new reality.\n\n\nAccording to others\, Pop Art is a denunciation of the existential angst of chaotic emptiness disguised in bright\, eye-catching colors.\n\nThrough a narration led by speaker Armando Battelli\, we will try to discover together this movement\, its origins and evolutions!\nWatch the video\n\n\n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/ceci-nest-pas-pop-art/ LOCATION:Genova CATEGORIES:Event ATTACH;FMTTYPE=image/png:https://www.rossettiartecontemporanea.it/wp-content/uploads/2024/01/Ceci-16.06.21.png ORGANIZER;CN="Galleria Studio Rossetti":MAILTO:info@rossettiartecontemporanea.it END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20220609T200000 DTEND;TZID=Europe/Rome:20220609T213000 DTSTAMP:20260428T043506 CREATED:20240115T133156Z LAST-MODIFIED:20240115T133156Z UID:46363-1654804800-1654810200@www.rossettiartecontemporanea.it SUMMARY:Genova 60 DESCRIPTION:On the occasion of the exhibition “Genova 60\,” which will open from April 14 to July 31\, 2022 at the Palazzo Reale in Genoa’s Falcone Theater\, Galleria Studio Rossetti is hosting a meeting with curator Luca Leoncini\, organized and introduced by Enrica Perilio.\n\nThe event will be held on Thursday\, June 9\, at 6 p.m. in the atrium of Palazzo Saluzzo\, Piazza dei Giustiniani.\n\nThe aim of this grandiose fresco-exhibition is to tell the story of the great transformations of Genoa in the 1960s\, a decade of profound changes due to the burst of new ideas and renewed cultural stimuli\, significant social changes\, economic innovations and new languages that marked an acceleration in the productions of the visual arts.\n\n\nIn a handful of years old Genoa was transformed\, attracting great professionals from outside but also galvanizing its own cultural resources to turn visions into reality. The exhibition addresses this energy of growth across the board\, as creativity was stimulated in all areas\, from art and design to music\, culture\, and economics.\n\nLearn more about the exhibition at the following link:\nhttps://palazzorealegenova.beniculturali.it/genova-sessanta/\n\n\n\n  \n\n \n \n \n \n \n \n \n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/genova-60/ LOCATION:Palazzo Saluzzo\, Via Chiabrera\, 7\, Genova\, (GE)\, 16123\, Italia CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2022/06/blog-Genova-60-Galleria-Studio-Rossetti-01-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20220520T200000 DTEND;TZID=Europe/Rome:20220619T210000 DTSTAMP:20260428T043506 CREATED:20231115T132221Z LAST-MODIFIED:20240426T160200Z UID:43996-1653076800-1655672400@www.rossettiartecontemporanea.it SUMMARY:“Thank you for shopping” by Florence Di Benedetto DESCRIPTION:The artist Florence Di Benedetto\, succeeds in entering an intimate dimension\, where everyday objects become themselves symbols\, domestic icons\, within the reach of all. \nIn this exhibition\, “Thank you for shopping!” the artpieces represent “Things” that acquire a real personalization: they are able to speak to the consumer and put them before the overabundance of products and the ease with which our society\, up until now\, is accustomed quickly acquire them. \nThe supermarket\, then\, is a place symbolic of pop culture\, where everything is available in infinite quantity and variety. But also a sacred place\, a secular temple\, a repository of hopes and desires. \n\n\n\n\nConsumerism as a modern religion. Just as believers of all faiths trust rituals and prayers to show them the way\, we too\, today more than ever\, look to objects for the fulfillment of our destiny\, the meaning of what we do\, and who we are.\nIn a time in which precariousness and solitude abound\, we tend to surround ourselves with things that we imbue with broader and deeper meanings\, with the aim of finding consolation\, a form of reassurance. \nThe aesthetic beauty of the works on display makes the immersive experience enjoyable and fun. The viewer becomes an active part of the process\, gets involved and leaves satisfied. \n\n\n\n\n\n  \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/thank-you-for-shopping-by-florence-di-benedetto/ LOCATION:Genova CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2023/11/mostra-Thank-you-for-shopping-di-Florence-Di-Benedetto-Studio-Rossetti-Arte-Contemporanea.jpg ORGANIZER;CN="Alessandra Redaelli":MAILTO:info@rossettiartecontemporanea.it END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20220429 DTEND;VALUE=DATE:20220430 DTSTAMP:20260428T043506 CREATED:20240126T171218Z LAST-MODIFIED:20240126T171218Z UID:46366-1651190400-1651276799@www.rossettiartecontemporanea.it SUMMARY:The divine mechanics DESCRIPTION:A conversation between Davide Puma and Dr. Sara Taglialagamba  \nIn Davide Puma’s artistic journey\, it is customary for science and poetry to merge into a single overall vision\, creating a powerful and entirely personal language. Their divine resonance transforms visions into images\, creating a cosmogony of energy\, elements\, matter\, and atoms that\, colliding with each other\, catapult the viewer into an ideal world entirely dominated by nature populated by metamorphic animals under the protection of primal goddesses. \nThis is the theme of the exhibition: in line with a philosophical thought rooted in antiquity\, Puma proposes the idea of a universe understood as a living organism in continuous becoming and the result of mechanical iteration between elementary particles. It is precisely through reflection on the theme of movement\, change\, and the incessant transformation of nature that the artist succeeds in shaping his personal intuition of the world and contributing to the unceasing learning of that “mechanics  of the universe\,” which is the basis of all his paintings. This divine eurythmy manages to materialize in his gardens\, which become ideal and idealized places of creation\, stripping themselves of their figurative meaning but dressing themselves in the role of archetype. In Puma’s mind\, his gardens are the place where the matrix symbols of the universe are manifested: they are the places inhabited by his creatures that take on continuous metamorphoses\, charging themselves with hidden meanings and allegories; they are the places of revelation of his thought under the unchallenged dominion of Queen Mothers of nature and all the elements.\nSara Tagalialagamba \nAn Art Historian\, PhD and Post PhD (Ecole Pratique des Hautes Etudes\, Sorbonne\, Paris)\, she has been a historical collaborator of Professor Carlo Pedretti\, the world’s foremost Leonardo da Vinci scholar and holder of the Chair of Leonardo Studies at UCLA Los Angeles. She has taught at prestigious institutes in Italy and abroad\, publishing monographs and articles and receiving awards of the highest caliber. His favorite fields of study are static and dynamic mechanics\, automations\, robotics\, engineering\, hydraulic and pneumatic contrivances\, fountains\, and horology. His first book\, “Automations and Robotics of Leonardo da Vinci\,” published in 2010\, received an honorable mention from Scientific American magazine in an article on some automata built at Nasa. In addition to being involved with numerous international conferences and on the scientific committee of important exhibitions in the year of celebrations for the five hundredth anniversary of the death of Leonardo\, she has the book Leonardo Industrial Designer coming out where she studies a new theme marked by the combination of beauty and utility. She was invited as a TED SPEAKER in Bergamo. Already a visiting professor at the Robotics department of UNAM in Mexico City and at UCLA (Los Angeles\, USA) and a scholarship holder at the Museo Galileo in Florence\, he is currently director of the Nuova Fondazione Rossana e Carlo Pedretti and is an associate professor at the Department of Philosophy and History of Science at the University of Urbino. He loves contemporary art and is responsible for organizing events\, exhibitions and meetings at prestigious historical\, public and private institutions. \nWatch video\n\n\n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/the-divine-mechanics/ LOCATION:Rossetti Underground\, Via Chiabrera\, 7\, Genova\, (GE)\, 16123\, Italia CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2023/11/blog-La-meccanica-divina-Galleria-Studio-Rossetti-1.jpg ORGANIZER;CN="Galleria Studio Rossetti":MAILTO:info@rossettiartecontemporanea.it END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20220324 DTEND;VALUE=DATE:20220425 DTSTAMP:20260428T043506 CREATED:20231115T133056Z LAST-MODIFIED:20231115T133056Z UID:43997-1648083600-1650765599@www.rossettiartecontemporanea.it SUMMARY:“Altro non posso fare che germogliare e fiorire” by Davide Puma DESCRIPTION:The artist Davide Puma\, originally from Liguria and fond of the colors\, scents and lights of this land\, after having exhibited his paintings internationally\, returns to his origins and with his arrival in Genoa\, spring blooms.\nThe artworks created for the exhibition “Altro non posso fare che germogliare e fiorire” (I can’t do anything else but sprout and blossom) are hypnotizing and seem to whisper sweetly to us to immerse ourselves in them\, in order to find and amaze ourselves in front of natural spectacles\, in a cradling and flourishing nature. \nFor the occasion\, the gallery has commissioned the communication agency Siks Adv to create a new video that will be projected for the entire duration of the exhibition in one of the rooms of Studio Rossetti Underground\, to guide the viewer in the interpretation of the personality and artistic vision of Davide Puma.\nDavide Puma’s marvelous gardens open like doors to fantastic worlds and become portals to a comforting peace.\nThe guiding force behind Davide Puma’s exhibition is\, in fact\, nature\, with which he has an intimate and deep-rooted relationship. It contains\, in all its vital forms\, in its language and in its components\, what for the artist represents the meaning of the universe. Puma’s artistic imagery describes nature transcending its physical dimension\, the atmospheres it suggests oscillate between the fairy-tale and the dreamlike.\nThe delicacy and lightness that run through Davide Puma’s canvases lead to a reflection on nature and on the superior laws that determine it and allow each element that is part of it to move and change.\nThe importance that Puma attributes to color\, to the expression of nature and to light determined the choice that the artist made to move to paint in the Ligurian town of Bordighera. A place particularly linked to art\, with bright energies and brilliant details. Even Monet\, traveling with Renoir\, was enchanted by this place for its lights and its pink and blue colors\, which are the same in which Davide Puma dips his brushes.\n\n\n\n  \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/altro-non-posso-fare-che-germogliare-e-fiorire-by-davide-puma/ LOCATION:Genova CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2023/11/mostra-Altro-non-posso-fare-che-germogliare-e-fiorire-di-Davide-Puma-Studio-Rossetti-Arte-Contemporanea.jpg ORGANIZER;CN="Alessandra Redaelli":MAILTO:info@rossettiartecontemporanea.it END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20220312T183000 DTEND;TZID=Europe/Rome:20220312T203000 DTSTAMP:20260428T043506 CREATED:20240115T132821Z LAST-MODIFIED:20240115T133107Z UID:43022-1647109800-1647117000@www.rossettiartecontemporanea.it SUMMARY:Synthèse visuelle. Scomporre in frame l’attimo. Il diario di una ricerca DESCRIPTION:In occasione della mostra Monet. Capolavori dal Musée Marmottan Monet di Parigi\, a Palazzo Ducale a Genova\, la Galleria Studio Rossetti presenta il volume Monica Gorini. Synthèse visuelle. Scomporre in frame l’attimo. Il diario di una ricerca\, edito Vanilla Edizioni\, un diario-ricerca che l’artista Monica Gorini ha realizzato a seguito di un viaggio “geografico ed artistico fatto di colori\, di natura\, di pensiero e di poesia\, con le ninfee negli occhi\, la pittura di Monet nel cuore e il desiderio di colore nella testa”.\nLa presentazione si terrà sabato 12 marzo alle ore 17.30\, alla presenza dell’editore\, dell’autrice e di Lorella Giudici\, autrice della prefazione.“A settantaquattro anni Claude Monet iniziava il suo ultimo e monumentale progetto: i pannelli per l’Orangérie. Su dodici tele dalle dimensioni maestose e per più di dieci anni\, Monet ha lavorato a quello che possiamo definire il suo testamento artistico e spirituale: le Ninfee. Nel suo giardino di Giverny\, dove ogni centimetro di terra\, d’acqua e di prato è stato appositamente costruito per soddisfare la sua pittura\, l’artista ha realizzato il suo sogno: la fusione totale di arte\, colore\, natura e infinito.\nIl racconto di Monica Gorini ha inizio proprio dai luoghi vissuti da Monet: da Etretat\, Honfleur\, Le Havre e\, ovviamente\, Giverny. Per due anni Monica ha idealmente dialogato con il Maestro in un lungo viaggio\, geografico botanico ed artistico\, ricco di emozioni\, di immagini\, di ricerche e di scoperte che ha racchiuso tra le pagine di questo diario\, in una narrazione coinvolgente\, fresca\, immediata\, ricca di riferimenti culturali e umani.\nCon le ninfee negli occhi\, la pittura di Monet nel cuore e il desiderio di colore nella testa\, Monica ha poi cercato la propria dimensione artistica traducendo le “impressioni” in un linguaggio concettuale. L’obiettivo\, quindi\, non è rifare Monet\, dipingere i fiori o il paesaggio di Giverny\, bensì trovare\, attraverso i luoghi della sua pittura\, il “segreto del colore” e trasformarlo in una sorta di legge empirica\, in un personale sistema cifrato che racchiude la natura\, l’anima e la psiche”.\n(Lorella Giudici)\nMonica Gorini (1967) è un’artista che vive e lavora tra Milano e il Lago d’Orta. Diplomata all’Accademia di Belle Arti di Brera a Milano\, con docenti eccellenti come Elena Pontiggia e Paolo Minoli\, ha da sempre affiancato all’attività artistica la formazione in ambito pedagogico didattico collaborando con l’Università Bicocca di Milano e l’Accademia di Belle Arti di Brera. Sensibilmente legata al mondo della natura e dei diritti è alla ricerca di un’estetica che stimoli riflessioni attuali ed intime\, finalizzate allo sviluppo di una coscienza sociale e di una nuova ecologia spirituale del mondo. \nLorella Giudici (1965) è professore di storia dell’arte contemporanea all’Accademia di Belle Arti di Brera di Milano. Dopo una laurea in Lettere Moderne con indirizzo storico-artistico all’Università Statale di Milano e una in pittura all’Accademia di Belle Arti di Brera\, cura mostre e si occupa dell’arte tra Ottocento e Novecento\, con particolare interesse al periodo tra le due guerre. Scrive per il TGCOM e per riviste del settore. È membro del comitato scientifico della Fondazione Remo Bianco\, della Fondazione Sangregorio e dell’Archivio Dadamaino. È stata direttrice del Museo del Paesaggio di Verbania.\n\n\n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/synthese-visuelle-scomporre-in-frame-lattimo-il-diario-di-una-ricerca/ LOCATION:Genova CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2023/03/blog-Synthese-visuelle-Galleria-Studio-Rossetti.jpg ORGANIZER;CN="Vanilla Edizioni":MAILTO:info@vanillaedizioni.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20220302T180000 DTEND;TZID=Europe/Rome:20220302T180000 DTSTAMP:20260428T043506 CREATED:20240228T081201Z LAST-MODIFIED:20240228T081738Z UID:45681-1646244000-1646244000@www.rossettiartecontemporanea.it SUMMARY:“L'arte di legare le persone” by Paolo Milone – Einaudi Publisher DESCRIPTION:“L’arte di legare le persone” (Einaudi Publisher) is a book that one struggles to define and any definition remains incomplete. \nHow often we speak of doctors as heroes\, martyrs\, victims–in truth\, outside of rhetoric\, men and women exposed to evil. Passionate and fragile\, fallible\, mortal. Paolo Milone has worked for forty years in emergency psychiatry\, and he tells us exactly that. Naked and biting\, without discounting himself. With a music all his own\, he catapults us inside Ward 77\, where the mystery of mental illness coexists with the very human everydayness of those who\, at the end of their shift\, must take off their scrubs and remember to buy milk.\nOne year after its release\, Wednesday\, March 2 at 6 p.m\, The Meltin Pop blog and Rossetti Arte Contemporanea gallery are organizing a meeting with author Paolo Milone\, who will dialogue with his readers\, accompanied by writer and psychotherapist Bruno Morchio.\nReadings by Lucia Caponetto.The meeting will take place at Rossetti Arte Contemporanea\nat Via Chiabrera 33r Genoa. \nPoster\n\n\n\n  \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/larte-di-legare-le-persone-by-paolo-milone-einaudi-publisher/ LOCATION:Palazzo Saluzzo\, Via Chiabrera\, 7\, Genova\, (GE)\, 16123\, Italia CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2024/02/evento-Larte-di-legare-le-persone-di-Paolo-Milone-–-Einaudi-Editore-Rossetti-arte-contemporanea.jpg ORGANIZER;CN="TheMeltinpop":MAILTO:redazionethemeltinpop@gmail.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20211216T190000 DTEND;TZID=Europe/Rome:20211216T203000 DTSTAMP:20260428T043506 CREATED:20240115T132536Z LAST-MODIFIED:20240207T131122Z UID:43014-1639681200-1639686600@www.rossettiartecontemporanea.it SUMMARY:Lo stravolgimento della figura tra esigenze stilistiche ed espressioni esistenziali DESCRIPTION:La figura umana è la rappresentazione in grado di comunicare meglio quelle che possono essere le sensazioni e le emozioni delle persone. Anche gli oggetti possono trasmettere il pensiero di un artista: basti pensare a Giorgio Morandi\, capace di trasformare una semplice natura morta in elegie sull’esistenza. Tuttavia\, la figura umana\, in quanto espressione della parte umana della vita\, è riconosciuta come la più comunicativa sotto diversi punti di vista. \nIn questa conferenza\, perfettamente in linea con la mostra in corso Verdad Muda\, di Evita Andújar\, il relatore Armando Battelli si addentra nell’interessante aspetto che confronta lo stile dell’artista con la sua intenzione comunicativa. \nIn alcuni casi\, la figura è appositamente distorta nel senso estetico\, allo scopo di esprimere un sentimento di angoscia\, innamoramento\, sorpresa\, straniamento; altre volte\, la stessa viene manipolata per ragioni stilistiche.\nQuando Picasso costruisce un quadro\, non lo fa per sentimento\, a differenza del collega Munch\, ma per equilibrio formale\, che ha un significato all’interno dell’arte espressiva. In questo caso\, la figura stravolta non vuole esprimere un malessere o\, in generale\, un sentimento\, bensì vuole creare all’interno di uno stile il suo movimento stilistico\, vuole costruire l’immagine. Donatello\, Caravaggio\, lo stesso Renoir\, non stravolgono la figura per esprimersi\, al contrario esprimono il loro sentimento con una figura esposta in un certo tipo di modo: la figura stravolta non è solo tale in senso espressivo ma anche stilistico. \nVi aspettiamo giovedì 16 dicembre alle ore 18.00 per approfondire questa tematica attuale e stimolante\, circondati dalle opere di Evita Andújar. \nVisualizza video\n\n\n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/lo-stravolgimento-della-figura-tra-esigenze-stilistiche-ed-espressioni-esistenziali/ LOCATION:Genova CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2024/01/vuoto-eventi-1.jpg ORGANIZER;CN="Galleria Studio Rossetti":MAILTO:info@rossettiartecontemporanea.it END:VEVENT END:VCALENDAR