BEGIN:VCALENDAR VERSION:2.0 PRODID:-//ROSSETTI arte contemporanea - ECPv6.5.1.4//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://www.rossettiartecontemporanea.it/en/ X-WR-CALDESC:Events for ROSSETTI arte contemporanea REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:Europe/Rome BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20210328T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20211031T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20220327T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20221030T010000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20211007T200000 DTEND;TZID=Europe/Rome:20211107T200000 DTSTAMP:20260504T083945 CREATED:20231115T133746Z LAST-MODIFIED:20231115T133746Z UID:44000-1633636800-1636315200@www.rossettiartecontemporanea.it SUMMARY:“Hinomaru” by Tom Porta DESCRIPTION:In the exhibition “Hinomaru”\, the artist presents us 20 unpublished works created specifically to take the viewer back to Japan of the ‘900. \nThe subjects painted by Tom Porta bring back a past made of tradition and rituals that doesn’t want to tell the Story but gives prominence to the aesthetics that belongs to Japanese culture. \nThe Geishas move away from the collective imagination to become wearers of refined kimonos. \nEthereal women who seem to come out of an old photo\, whose worn edges cannot swallow them.\nWe become spectators of a suspended world that narrates about values and codes. The same as those embodied by the pilots\, represented and believed by the artist in Hinomaru.\nEvanescent figures whose proud eyes do not even touch us. In the foreground is the face. The uniform\, almost unfinished\, doesn’t matter: they are first men and then soldiers.\nThe planes and the ships seem to come out of the fog. As if they were visions that take shape heading towards the West.\nHinomaru is the solar disk on the Japanese flag. A symbol already used on the flags of the samurai\, the Rising Sun. URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/hinomaru-by-tom-porta/ LOCATION:Genova CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2023/11/mostra-Hinomaru-di-Tom-Porta-Studio-Rossetti-Arte-Contemporanea.jpg ORGANIZER;CN="Alessandra Redaelli":MAILTO:info@rossettiartecontemporanea.it END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20211104T180000 DTEND;TZID=Europe/Rome:20211104T203000 DTSTAMP:20260504T083945 CREATED:20240115T140657Z LAST-MODIFIED:20240116T092233Z UID:43072-1636048800-1636057800@www.rossettiartecontemporanea.it SUMMARY:Big in Japan DESCRIPTION:Due giorni dedicati alla cultura giapponese in collaborazione con un’altra realtà della Piazza\, lo studio di progettazione architettonica Spazio Giustiniani. \nL’evento inizia giovedì 4 alle ore 17:00 con il workshop esperienziale di scrittura orientale\, tenuto dall’insegnante Rosanna Musumeci\, docente certificata a livello internazionale di Chue Style Feng Shui\, nonché progettista e designer degli spazi secondo il feng Shui. La scrittura orientale non è solo comunicazione\, è arte. Lo spazio della carta viene interpretato come fosse uno spazio fisico\, vanno calibrati i pieni e i vuoti\, in un perfetto equilibrio Zen. Ospitati dallo showroom di progettazione d’interni Spazio Giustiniani\, saranno a disposizione gli strumenti tradizionali del calligrafo: pennelli\, inchiostro di china e rosso cinabro. Partendo dal Vuoto della carta per comporre la propria personale opera. \nLa giornata prosegue alle 18:00 presso lo Studio Rossetti con la degustazione di tè giapponese di Peter’s Tea House\, lo store specializzato del centro storico di Genova dove si respira il fascino tradizionale della cultura orientale\, che si fonde con la contemporaneità. Un’esperienza di cultura e ospitalità\, un viaggio multisensoriale dove il senso del gusto e dell’olfatto insieme a quello della vista e dell’udito invitano a perdersi nell’affascinante piacere del tè. Il tutto immersi nell’atmosfera della mostra Hinomaru di Tom Porta. \nA seguire alle 18:30 presentazione dell’incontro Emozioni nell’arte – La comunicazione emotiva\, a cura del counselor Simone Rigalza. Le emozioni che proviamo e che ascoltiamo danno vita ad espressioni artistiche.\nE’ necessario e imprescindibile imparare a riconoscere e a cogliere egli stimoli che nascono dai nostri moti interiori: il nostro pensiero si genera e si evolve grazie alle emozioni che ci animano. Per esprimere nella maniera più efficace ed autentica il nostro lato creativo dovremmo imparare a farci guidare dalle emozioni. Emozioni nell’arte\, vogliono essere un punto di ritrovo all’interno di ognuno di noi. \nDalle 19:00 ci si riunisce per la musica in Piazza Giustiniani selezionata da Stemc\, per concludere in compagnia questa prima giornata di eventi dedicati al mondo nipponico. \nIl giorno seguente\, venerdì 5 novembre\, alle ore 18:00\, il ritrovo sarà presso la nostra galleria\, dove verrà presentata la conferenza Incontri in galleria del relatore Armando Battelli\, storico e perito d’arte\, dal titolo “Suggestioni e nostalgie  del Giappone nella pittura occidentale dal XIX secolo ad oggi”. Verrà approfondito il Japonisme\, ossia l’influenza che ha avuto l’arte giapponese sui grandi maestri occidentali\, in particolare sugli artisti francesi. Questa passione per l’arte giapponese non avrebbe avuto luogo se le stampe giapponesi non fossero sopraggiunte in Olanda tramite la Compagnia delle Indie\, e poi diffuse in tutta Europa. Gli artisti europei che vennero influenzati dall’arte giapponese furono: Van Gogh\, Monet\, Manet\, Degas\, Renoir\, Pissarro\, Klimt\, Charles-Louis Houdard e moltri altri\, che scopriremo insieme.\n\n\n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/big-in-japan/ LOCATION:Genova CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2022/11/blog-Big-in-Japan-Galleria-Studio-Rossetti.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20211108T183000 DTEND;TZID=Europe/Rome:20211108T183000 DTSTAMP:20260504T083945 CREATED:20240228T081154Z LAST-MODIFIED:20240228T081154Z UID:45680-1636396200-1636396200@www.rossettiartecontemporanea.it SUMMARY:“Noncestoria” by Gianni Ansaldi DESCRIPTION:Photographer Gianni Ansaldi\, in his first narrative work\, composes a novel with experimental features in which a tight sequence of prologues and epilogues alternates instead of traditional chapters.\nThe time is that of a dream\, spiraling: past and present intertwine and blur. The two characters who animate the story are destined for a fateful encounter.\nOne lives in many pasts made unreal by memory\, the other in a present made unreal by drug chemistry. When they both arrive in a real present for one of them it is the end.\n\n\n\n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/noncestoria-by-gianni-ansaldi/ LOCATION:Palazzo Saluzzo\, Via Chiabrera\, 7\, Genova\, (GE)\, 16123\, Italia CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2024/02/evento-Noncestoria-di-Gianni-Ansaldi-Rossetti-arte-contemporanea-scaled.jpg ORGANIZER;CN="TheMeltinpop":MAILTO:redazionethemeltinpop@gmail.com END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20211123 DTEND;VALUE=DATE:20211124 DTSTAMP:20260504T083945 CREATED:20240126T173445Z LAST-MODIFIED:20240126T173445Z UID:44608-1637625600-1637711999@www.rossettiartecontemporanea.it SUMMARY:Inaugurazione dello Studio Rossetti Underground DESCRIPTION: URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/inaugurazione-dello-studio-rossetti-underground/ LOCATION:Rossetti Underground\, Via Chiabrera\, 7\, Genova\, (GE)\, 16123\, Italia CATEGORIES:Event ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2021/11/blog-Studio-Rossetti-Underground-Galleria-Studio-Rossetti.jpg ORGANIZER;CN="Galleria Studio Rossetti":MAILTO:info@rossettiartecontemporanea.it END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20211125T190000 DTEND;TZID=Europe/Rome:20220109T200000 DTSTAMP:20260504T083945 CREATED:20231115T133250Z LAST-MODIFIED:20240124T134102Z UID:43998-1637866800-1641758400@www.rossettiartecontemporanea.it SUMMARY:“Verdad Muda” by Evita Andújar DESCRIPTION:Studio Rossetti Gallery welcomes the winter exhibition season with the opening of “Verdad Muda\,” the solo exhibition of Andalusian artist Evita Andújar\, curated by Raffaella Salato. The exhibition will open to the public on Thursday\, November 25\, and will be on view until January 9\, 2022. \n“A continuous narration that proceeds by snapshots\, a story made of still images (or\, as we say today\, of “screenshots”) that are assembled in a complex puzzle\, varied and constantly evolving: this is the feminine universe of Evita Andújar\, the undisputed protagonist of the poetics of the Andalusian artist\, who always works in the balance – but with skillful mastery of intention and gesture – on the ridge that runs between figuration and abstraction. \nThe exhibition entitled ‘Verdad muda’ collects a series of paintings from the cycle ‘Stolen Selfie’\, inspired by the paradox of our hyper-technological society\, overexposed to a continuous flow of images and information that\, however\, often lack real content. The identities that social networks obsessively send back to us are only pale simulacra of a reality that few\, by now\, bother to penetrate and know: so Andújar distorts and erases these surface individualities with the declared aim of provoking an alternative reflection\, of shifting the focus from appearance to substance. \nEvita’s women\, as she herself has often explained\, are at the same time her alter-ego and archetypes of contemporary femininity\, enclosing in themselves on the one hand the reflection of the artist’s multiple nuances\, and on the other hand paradigmatic images of today’s woman\, immersed in a complex\, restless\, buzzing reality\, which forces her to be – to paraphrase Pirandello – “one\, none and a hundred thousand”\, in a perpetual dialectic with the mutability of human relationships and the fleeting nature of existence. \nThis sense of elusiveness and temporariness\, from which none of us is immune\, is translated on Evita’s canvases\, evidently transfiguring the protagonist\, she\, the woman: although undeniably the center of the scene\, as happens in the tradition of the portrait\, the female figure loses its identity\, which often liquefies in the domination of the pictorial matter on the image (as in ‘Stolen Selfie 69 or Brezza’)\, sometimes she deliberately hides or subtracts herself (for example\, in ‘Stolen Selfie 45 or Hide what you are not’)\, other times\, finally\, she doubles in partial reflections of herself that never give back a definite identikit (‘Stolen Selfie 56 or In the white of tomorrow’).\nThe final result\, in the eyes of the observer\, is that of a suspended tale\, crystallized in a fragment of the present that gives no answers\, in which the solitude of the woman – in Andújar’s paintings there are never any characters in the background – becomes a symbol and personification of the estrangement of today’s world. In this sense\, it is almost natural to draw a parallel with the women of Edward Hopper\, master of American Realism of the 20th century: it is as if Evita’s canvases\, which have an almost cinematographic flavor\, like frames of a film shot indoors\, were narrating our personal crisis\, our intrinsic solitude. Observing her paintings has an almost cathartic effect: it is like looking at ourselves reflected in a mirror that shows us as we are\, offering us an opportunity to better understand our existential condition. \nAnd yet\, in the artist’s canvases there is always an element of hope\, a tension between physical space\, time and emotions\, a spark that leads us to question ourselves on the “what” and the “why”: the accuracy of the rendering of certain details in the setting (representing mostly bourgeois domestic environments)\, the never casual use of light and color (the intense blues\, the bright reds\, the flashing whites)\, the poses or gestures of the figures that never appear passively static but rather traversed by a composed and controlled subterranean restlessness\, suggest to us a story that has yet to be written\, an “other” key to interpretation that emerges through the different interpretive levels of the work\, a verdad muda that presses inexorably for a voice. ” \nRaffaella Salato\n\n\n\n  \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n  URL:https://www.rossettiartecontemporanea.it/en/mostre-e-eventi/verdad-muda-by-evita-andujar/ LOCATION:Genova CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://www.rossettiartecontemporanea.it/wp-content/uploads/2023/11/mostra-Verdad-Muda-di-Evita-Andujar-Studio-Rossetti-Arte-Contemporanea.jpg ORGANIZER;CN="Alessandra Redaelli":MAILTO:info@rossettiartecontemporanea.it END:VEVENT END:VCALENDAR