{"id":47206,"date":"2024-06-18T16:45:49","date_gmt":"2024-06-18T14:45:49","guid":{"rendered":"http:\/\/www.rossettiartecontemporanea.it\/evita-andujars-three-exhibitions-presented-in-the-gallery\/"},"modified":"2024-06-20T16:00:56","modified_gmt":"2024-06-20T14:00:56","slug":"evita-andujars-three-exhibitions-presented-in-the-gallery","status":"publish","type":"post","link":"https:\/\/www.rossettiartecontemporanea.it\/en\/evita-andujars-three-exhibitions-presented-in-the-gallery\/","title":{"rendered":"Evita And\u00fajar’s three exhibitions presented in the gallery"},"content":{"rendered":"\n

The Rossetti Gallery selects contemporary artists with whom establishing a lasting relationship over time, with the intention of stimulating, promoting and recounting their artistic evolution and creative growth from year to year. This year we realized Evita And\u00fajar’s third exhibition in our gallery, so we take this opportunity to present in this article an overview of all the exhibitions we have had the extreme pleasure of dedicating to the artist in our exhibition spaces. \n \n<\/p>\n\n

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Evita And\u00fajar’s first gallery exhibition: ‘Delicate Fragilit\u00e0’ in 2019<\/h3>\n\n

On November 22, 2019 inaugurated Delicate fragility, an exhibition conceived as a site-specific dialogue, identified by curator Livia Savorelli, between two artists of different generation, origin and training – Evita And\u00fajar (\u00c9cija, Spain, 1974) and Ilaria Gasparroni (Sant’Omero, province of Teramo, 1989) – united by a common feeling around the feminine world, declined through an instinctual painting, from the vivid chromatism and dynamism in And\u00fajar’s work and eviscerated in poetic formal essence in Gasparroni’s marble creations.<\/p>\n\n

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Two-dimensionality and three-dimensionality coexist and integrate to represent the many facets of a figuration that takes its forms from the feminine to explicate universal themes, drawing from the past as much as from the most stringent current events, from literature and philosophy as much as from the world of social networks, from the baggage of personal life as much as from the most intimate inner universe.<\/p>\n\n

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In 2021, we opened “Verdad Muda,” Evita And\u00fajar’s second exhibition in Genoa.<\/h3>\n\n

The exhibition Verdad Muda, curated by Raffaella Salato, opened to the public on Thursday, Nov. 25, 2021, two years after the great success of the previous exhibition.<\/p>\n\n

The exhibition collected a series of paintings from the ‘Stolen Selfie’ cycle, inspired by the paradox of our hypertechnological society, overexposed to a continuous flow of images and information that, however, are often devoid of real content.<\/p>\n\n

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