<\/p>\n\n
art exhibitions in november recommended by the rossetti gallery<\/h2>\n\n
\n\nGenoa – Castello D’Albertis Museum of World Cultures<\/h3>\n\nTandem – International Exhibition of Contemporary Illustrators<\/h3>\n\n![\"\"](\"https:\/\/www.rossettiartecontemporanea.it\/wp-content\/uploads\/2024\/10\/tandem-promo-genova-600x400-1.jpg\")
<\/a><\/figure>\n\nMany people will be thinking of bicycles with two or more seats, but tandem has many meanings, starting with the one derived from Latin, which can be translated as \u201cfinally.\u201d So, thanks to the exhibition and the artists on display, \u201cfinally\u201d we will discover many of these meanings.<\/p>\n\n
The exhibition is divided into two sections: the first, dedicated to illustrators who participated in Tapirulan’s annual illustration contest, interpreting the TANDEM theme: 52 works by as many artists selected by the jury are on display. The second section hosts an exhibition entirely dedicated to the guest of honor Franco Matticchio, titled \u201cForbidden to Enter,\u201d with more than 150 works tracing the artist’s 50-year career.<\/p>\n\n
Until December 1, 2024<\/strong><\/p>\n\n\nDiscover more<\/a><\/div>\n<\/div>\n\n
\n\nTurin – GAM<\/strong><\/h3>\n\nMary Heilmann<\/h3>\n\n![\"\"](\"https:\/\/www.rossettiartecontemporanea.it\/wp-content\/uploads\/2024\/10\/HEILMANN_WEB_HERO.jpg\")
<\/a><\/figure>\n\n<\/p>\n\n
Mary Heilmann is one of the most important contemporary abstract painters. The exhibition traces her sixty-year career, from her early geometric paintings of the 1970s to her recent canvases shaped in fluorescent colors. The sixty works in the exhibition traverse her joyful output to offer a broad look at her playful approach to abstraction, touching on foundational passages and thematic cores in her oeuvre.<\/p>\n\n
Until March 16, 2025<\/strong><\/p>\n\n\nDiscover more<\/a><\/div>\n<\/div>\n\n
\n\nMilan – Mudec<\/strong><\/h3>\n\nDUBUFFET AND THE ART BRUT: the art of outsiders<\/h3>\n\n![\"\"](\"https:\/\/www.rossettiartecontemporanea.it\/wp-content\/uploads\/2024\/10\/zinelli-cab-2125-r-min-1024x732-1.jpg\")
<\/a><\/figure>\n\nBorn in the heart of a postwar Paris, far from the halls of art museums and refined salons, Art Brut, whose definition and theorization belongs to French artist and theorist Jean Dubuffet, represents ‘raw,’ ‘pure,’ ‘unfiltered’ art.<\/p>\n\n
Specially conceived for the Museum of Cultures, the exhibition is made possible through a collaboration with the Collection de l’Art Brut in Lausanne, which owns an extraordinary collection of more than 70,000 works that grew out of the nucleus of Dubuffet’s exceptional donation to the City of Lausanne in 1971. Drawings, paintings, sculptures and textile works, which are still growing today thanks to purchases and donations from new authors.<\/p>\n\n
Until February 16, 2025<\/strong><\/p>\n\n\nDiscover more<\/a><\/div>\n<\/div>\n\n
\n\nMilan – Pinacoteca Agnelli<\/strong><\/h3>\n\nSalvo. Arrivare in tempo<\/em><\/h3>\n\n![\"\"](\"https:\/\/www.rossettiartecontemporanea.it\/wp-content\/uploads\/2024\/10\/Salvo-Una-sera-1988_Copyright-fotografico-Vincent-Evrard_Courtesy-Collezione-Lucien-Bilinelli-Milano.jpg\")
<\/a><\/figure>\n\nArriving on time will be the largest exhibition dedicated to Salvo’s work. Born in Sicily, Salvo has lived in Turin since 1956, where he first approached Arte Povera and the languages of conceptual art, and then devoted himself since 1973 exclusively to painting, an unconventional choice for the cultural climate of the early 1970s.<\/p>\n\n
Contrary to the mainstream even in the Italian scene, Salvo has pursued for forty years a unique research and critical reflection towards the medium of painting. Realized in close collaboration with the Salvo Archive, the exhibition will focus on some of the fundamental motifs of the artist’s research: the concept of repetition in the exploration of recurring motifs, understood both as a pictorial technique and as a conceptual urgency; the reflection on painting as language and language as art; and the relationship between art history and the gaze on everyday life.<\/p>\n\n
Until May 25, 2025<\/strong><\/p>\n\n
Tandem – International Exhibition of Contemporary Illustrators<\/h3>\n\n<\/a><\/figure>\n\nMany people will be thinking of bicycles with two or more seats, but tandem has many meanings, starting with the one derived from Latin, which can be translated as \u201cfinally.\u201d So, thanks to the exhibition and the artists on display, \u201cfinally\u201d we will discover many of these meanings.<\/p>\n\n
The exhibition is divided into two sections: the first, dedicated to illustrators who participated in Tapirulan’s annual illustration contest, interpreting the TANDEM theme: 52 works by as many artists selected by the jury are on display. The second section hosts an exhibition entirely dedicated to the guest of honor Franco Matticchio, titled \u201cForbidden to Enter,\u201d with more than 150 works tracing the artist’s 50-year career.<\/p>\n\n
Until December 1, 2024<\/strong><\/p>\n\n\nDiscover more<\/a><\/div>\n<\/div>\n\n
\n\nTurin – GAM<\/strong><\/h3>\n\nMary Heilmann<\/h3>\n\n<\/a><\/figure>\n\n<\/p>\n\n
Mary Heilmann is one of the most important contemporary abstract painters. The exhibition traces her sixty-year career, from her early geometric paintings of the 1970s to her recent canvases shaped in fluorescent colors. The sixty works in the exhibition traverse her joyful output to offer a broad look at her playful approach to abstraction, touching on foundational passages and thematic cores in her oeuvre.<\/p>\n\n
Until March 16, 2025<\/strong><\/p>\n\n\nDiscover more<\/a><\/div>\n<\/div>\n\n
\n\nMilan – Mudec<\/strong><\/h3>\n\nDUBUFFET AND THE ART BRUT: the art of outsiders<\/h3>\n\n<\/a><\/figure>\n\nBorn in the heart of a postwar Paris, far from the halls of art museums and refined salons, Art Brut, whose definition and theorization belongs to French artist and theorist Jean Dubuffet, represents ‘raw,’ ‘pure,’ ‘unfiltered’ art.<\/p>\n\n
Specially conceived for the Museum of Cultures, the exhibition is made possible through a collaboration with the Collection de l’Art Brut in Lausanne, which owns an extraordinary collection of more than 70,000 works that grew out of the nucleus of Dubuffet’s exceptional donation to the City of Lausanne in 1971. Drawings, paintings, sculptures and textile works, which are still growing today thanks to purchases and donations from new authors.<\/p>\n\n
Until February 16, 2025<\/strong><\/p>\n\n\nDiscover more<\/a><\/div>\n<\/div>\n\n
\n\nMilan – Pinacoteca Agnelli<\/strong><\/h3>\n\nSalvo. Arrivare in tempo<\/em><\/h3>\n\n<\/a><\/figure>\n\nArriving on time will be the largest exhibition dedicated to Salvo’s work. Born in Sicily, Salvo has lived in Turin since 1956, where he first approached Arte Povera and the languages of conceptual art, and then devoted himself since 1973 exclusively to painting, an unconventional choice for the cultural climate of the early 1970s.<\/p>\n\n
Contrary to the mainstream even in the Italian scene, Salvo has pursued for forty years a unique research and critical reflection towards the medium of painting. Realized in close collaboration with the Salvo Archive, the exhibition will focus on some of the fundamental motifs of the artist’s research: the concept of repetition in the exploration of recurring motifs, understood both as a pictorial technique and as a conceptual urgency; the reflection on painting as language and language as art; and the relationship between art history and the gaze on everyday life.<\/p>\n\n
Until May 25, 2025<\/strong><\/p>\n\n
<\/a><\/figure>\n\nMany people will be thinking of bicycles with two or more seats, but tandem has many meanings, starting with the one derived from Latin, which can be translated as \u201cfinally.\u201d So, thanks to the exhibition and the artists on display, \u201cfinally\u201d we will discover many of these meanings.<\/p>\n\n
The exhibition is divided into two sections: the first, dedicated to illustrators who participated in Tapirulan’s annual illustration contest, interpreting the TANDEM theme: 52 works by as many artists selected by the jury are on display. The second section hosts an exhibition entirely dedicated to the guest of honor Franco Matticchio, titled \u201cForbidden to Enter,\u201d with more than 150 works tracing the artist’s 50-year career.<\/p>\n\n
Until December 1, 2024<\/strong><\/p>\n\n <\/p>\n\n Mary Heilmann is one of the most important contemporary abstract painters. The exhibition traces her sixty-year career, from her early geometric paintings of the 1970s to her recent canvases shaped in fluorescent colors. The sixty works in the exhibition traverse her joyful output to offer a broad look at her playful approach to abstraction, touching on foundational passages and thematic cores in her oeuvre.<\/p>\n\n Until March 16, 2025<\/strong><\/p>\n\n Born in the heart of a postwar Paris, far from the halls of art museums and refined salons, Art Brut, whose definition and theorization belongs to French artist and theorist Jean Dubuffet, represents ‘raw,’ ‘pure,’ ‘unfiltered’ art.<\/p>\n\n Specially conceived for the Museum of Cultures, the exhibition is made possible through a collaboration with the Collection de l’Art Brut in Lausanne, which owns an extraordinary collection of more than 70,000 works that grew out of the nucleus of Dubuffet’s exceptional donation to the City of Lausanne in 1971. Drawings, paintings, sculptures and textile works, which are still growing today thanks to purchases and donations from new authors.<\/p>\n\n Until February 16, 2025<\/strong><\/p>\n\n Arriving on time will be the largest exhibition dedicated to Salvo’s work. Born in Sicily, Salvo has lived in Turin since 1956, where he first approached Arte Povera and the languages of conceptual art, and then devoted himself since 1973 exclusively to painting, an unconventional choice for the cultural climate of the early 1970s.<\/p>\n\n Contrary to the mainstream even in the Italian scene, Salvo has pursued for forty years a unique research and critical reflection towards the medium of painting. Realized in close collaboration with the Salvo Archive, the exhibition will focus on some of the fundamental motifs of the artist’s research: the concept of repetition in the exploration of recurring motifs, understood both as a pictorial technique and as a conceptual urgency; the reflection on painting as language and language as art; and the relationship between art history and the gaze on everyday life.<\/p>\n\n Until May 25, 2025<\/strong><\/p>\n\n
\n\nTurin – GAM<\/strong><\/h3>\n\n
Mary Heilmann<\/h3>\n\n
<\/a><\/figure>\n\n
\n\nMilan – Mudec<\/strong><\/h3>\n\n
DUBUFFET AND THE ART BRUT: the art of outsiders<\/h3>\n\n
<\/a><\/figure>\n\n
\n\nMilan – Pinacoteca Agnelli<\/strong><\/h3>\n\n
Salvo. Arrivare in tempo<\/em><\/h3>\n\n
<\/a><\/figure>\n\n
![\"\"](\"https:\/\/www.rossettiartecontemporanea.it\/wp-content\/uploads\/2024\/10\/9788856675672_0_536_0_75.jpg\")
<\/a><\/figure>\n\n